Edited by Cay Sophie Rabinowitz. Text by Geoffrey Batchen, Stephanie Snyder, Tim Walsh, Maria Ines Plaza Lazo, Christian Oldham, Christian Rattemeyer, Kate Fowle, Tom McDonough, Natalie Kate.
New writings from Stephanie Snyder, Kate Fowle, Geoffrey Batchen and more on photo cultures past and present
The latest issue of OSMOS features a cover by Catherine DeLattre; an essay by contributing editor Tom McDonough on artist Alfredo Jaar; Stephanie Synder on photographer Liza Ryan; Christian Rattemeyer on Zagreb-based conceptual artist David Maljkovic; an essay by Kate Fowle on Sherrill Roland; a portfolio by artist Roscoe Thicke; Maria Ines Plaza Lazo on Berlin-based performance and video artist Leila Hekmat; an essay by writer Geoffrey Batchen on A New Power: Photography and Britain 1800–1850 at the Bodleian Library, Oxford; a feature by Christian Oldham on renowned avant-garde Ikebana master Kosen Ohtsubo; and a text by Tim Walsh on the previous issue’s cover artist James Barth, whose self-portraits use avatars as a means to explore their transgendered identity and representation. Through painting and 3D modeling, Barth’s works combine photography, painting, science fiction, cinematic language and poetic gestures.
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Published by OSMOS. Edited by Cay Sophie Rabinowitz. Text by Geoffrey Batchen, Stephanie Snyder, Tim Walsh, Maria Ines Plaza Lazo, Christian Oldham, Christian Rattemeyer, Kate Fowle, Tom McDonough, Natalie Kate.
New writings from Stephanie Snyder, Kate Fowle, Geoffrey Batchen and more on photo cultures past and present
The latest issue of OSMOS features a cover by Catherine DeLattre; an essay by contributing editor Tom McDonough on artist Alfredo Jaar; Stephanie Synder on photographer Liza Ryan; Christian Rattemeyer on Zagreb-based conceptual artist David Maljkovic; an essay by Kate Fowle on Sherrill Roland; a portfolio by artist Roscoe Thicke; Maria Ines Plaza Lazo on Berlin-based performance and video artist Leila Hekmat; an essay by writer Geoffrey Batchen on A New Power: Photography and Britain 1800–1850 at the Bodleian Library, Oxford; a feature by Christian Oldham on renowned avant-garde Ikebana master Kosen Ohtsubo; and a text by Tim Walsh on the previous issue’s cover artist James Barth, whose self-portraits use avatars as a means to explore their transgendered identity and representation. Through painting and 3D modeling, Barth’s works combine photography, painting, science fiction, cinematic language and poetic gestures.
