Edited by Cay Sophie Rabinowitz. Text by Drew Sawyer, Kenta Murakami, Christian Rattemeyer, Carter Mull.
Rare drawings by Fumio Yoshimura, paintings by Erik Schmidt and more, in the latest OSMOS
Founder and editor of OSMOS Magazine Cay Sophie Rabinowitz (formerly of Parkett and Fantom) describes the publication as “an art magazine about the use and abuse of photography.” The magazine is divided into thematic sections—some traditional, and others more idiosyncratic.
OSMOS Magazine issue 21 features an essay about the rare series of pen-and-ink drawings that Fumio Yoshimura created for a legal defense fundraiser he and Kate Millet organized when Peggy Dobbins was arrested at the 1968 Miss America pageant protest. The reportage is by Chris Jordan. Also included is a portfolio of recent paintings by Berlin-based artist Erik Schmidt; Drew Sawyer writes on Oren Pinhassi; and the cover features a detail from Camel Collective’s 2018 exhibition titled Grip.
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FORMAT: Pbk, 8.5 x 11 in. / 96 pgs. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $35 GBP £22.00 ISBN: 9780990698081 PUBLISHER: OSMOS AVAILABLE: 10/26/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by OSMOS. Edited by Cay Sophie Rabinowitz. Text by Drew Sawyer, Kenta Murakami, Christian Rattemeyer, Carter Mull.
Rare drawings by Fumio Yoshimura, paintings by Erik Schmidt and more, in the latest OSMOS
Founder and editor of OSMOS Magazine Cay Sophie Rabinowitz (formerly of Parkett and Fantom) describes the publication as “an art magazine about the use and abuse of photography.” The magazine is divided into thematic sections—some traditional, and others more idiosyncratic.
OSMOS Magazine issue 21 features an essay about the rare series of pen-and-ink drawings that Fumio Yoshimura created for a legal defense fundraiser he and Kate Millet organized when Peggy Dobbins was arrested at the 1968 Miss America pageant protest. The reportage is by Chris Jordan. Also included is a portfolio of recent paintings by Berlin-based artist Erik Schmidt; Drew Sawyer writes on Oren Pinhassi; and the cover features a detail from Camel Collective’s 2018 exhibition titled Grip.