Writings by Michael Asselin and Stephanie Cristello, an essay on Joanna Piotrowska, recent works by Onyedika Chuke and Neil Winokur, and more, in the latest issue of Osmos
OSMOS Magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of nonartistic image production.
This issue of OSMOS Magazine features recent works by New York–based Onyedika Chuke; an essay on the Polish artist Joanna Piotrowska; a reportage by Michael Asselin; Chicago-based art critic Stephanie Cristello on Kay Rosen’s videos from the 1990s; and a portfolio by New York–based photographer Neil Winokur.
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FORMAT: Pbk, 8.5 x 11 in. / 96 pgs. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.95 GBP £22.00 ISBN: 9780990698074 PUBLISHER: OSMOS AVAILABLE: 4/23/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by OSMOS. Edited by Cay Sophie Rabinowitz.
Writings by Michael Asselin and Stephanie Cristello, an essay on Joanna Piotrowska, recent works by Onyedika Chuke and Neil Winokur, and more, in the latest issue of Osmos
OSMOS Magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of nonartistic image production.
This issue of OSMOS Magazine features recent works by New York–based Onyedika Chuke; an essay on the Polish artist Joanna Piotrowska; a reportage by Michael Asselin; Chicago-based art critic Stephanie Cristello on Kay Rosen’s videos from the 1990s; and a portfolio by New York–based photographer Neil Winokur.
