Osmos magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom).
The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of nonartistic image production. This issue features a portfolio of work by the conceptual photographer Bing Wright, curator Drew Sawyer on Carmen Winant, an intimate look at the work of Lari Pittman and an essay by Peter Weibel on interface technology in the films of Kathryn Bigelow.
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Published by Osmos. Edited by Cay Sophie Rabinowitz.
Osmos magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom).
The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of nonartistic image production. This issue features a portfolio of work by the conceptual photographer Bing Wright, curator Drew Sawyer on Carmen Winant, an intimate look at the work of Lari Pittman and an essay by Peter Weibel on interface technology in the films of Kathryn Bigelow.
