| | BOOK FORMAT
Clth, 11.5 x 11.5 in. / 144 pgs / 8 color / 120 bw. PUBLISHING STATUS
Pub Date 6/24/2025
Forthcoming DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 10 PRODUCT DETAILS
ISBN 9783969992319 TRADE
List Price: $75.00 CAD $110.00 AVAILABILITY
Awaiting stock | TERRITORY
NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Bruce Davidson: The Way BackEdited by Bruce Davidson, Donna Ranieri. Text by Paul Roth.
 Nearly four decades of unpublished works from a master of documentary photographyConsisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson’s more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961–65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966–68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson’s overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.
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|  | STATUS: Forthcoming | 6/24/2025 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | |  | SteidlISBN: 9783969992319
USD $75.00 | CAD $110Pub Date: 6/24/2025
Forthcoming
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USD $60.00 | CAD $79Pub Date: 6/24/2025
Forthcoming
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USD $45.00 | CAD $60Pub Date: 9/29/2015
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USD $45.00 | CAD $60Pub Date: 9/29/2015
Active | Out of stock
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USD $85.00 | CAD $112.5Pub Date: 1/31/2015
Active | In stock
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USD $60.00 | CAD $79Pub Date: 10/31/2014
Active | In stock
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|  | Steidl Photography InternationalISBN: 9783865219084
USD $250.00 | CAD $335Pub Date: 6/30/2010
Active | Out of stock
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FORMAT: Clth, 11.5 x 11.5 in. / 144 pgs / 8 color / 120 b&w.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $110
ISBN: 9783969992319
PUBLISHER: Steidl
AVAILABLE: 6/24/2025
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Forthcoming
AVAILABILITY: Awaiting stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2024 Page 10 | PRESS INQUIRIES
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| Bruce Davidson: The Way Back Published by Steidl.
Edited by Bruce Davidson, Donna Ranieri. Text by Paul Roth. Nearly four decades of unpublished works from a master of documentary photography Consisting solely of previously unpublished photographs, The Way Back is a deep dive through Bruce Davidson’s more than 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his yearlong study of teenage members of a Brooklyn Gang (1959), his extensive coverage of the American Civil Rights Movement in Time of Change (1961–65) and his breakthrough portraits of the residents of a single block in Harlem in East 100th Street (1966–68). Series such as Subway (1980) and Central Park (1992) confirm Davidson as a quintessential chronicler of New York City.
What emerges through this retrospective is Davidson’s overt sensibility and empathy for his subjects and his commitment to documenting them in depth over time. Unlike his peers who photographed historical events, Davidson focused on the people within these histories. Now, drawing near the end of his long career, Davidson offers this book as a parting look at his artistic passage, an elegiac goodbye as well as a requiem.
Bruce Davidson (born 1933, Oak Park, IL) became a member of the Magnum Photos agency in 1958; since then his photographs and photo series have been widely published to great acclaim. At Yale University, he studied under photographer Alexey Brodovitch and artist Josef Albers, the latter of whom encouraged him to pursue his work among marginalized people and communities. His artistic influences include Robert Frank and Henri Cartier-Bresson.
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