Returning to the original 1987 publication’s format, this new edition of Sternfeld’s lyrical portrait of America’s hopes and sorrows includes previously unseen images
Born of a desire to follow the seasons up and down America, and equally to find lyricism in contemporary American life despite all its dark histories, American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony. Oddly enough, the society it seems to presage has now come to be; the ideas of this book bespeak our present moment. Often out of print, this new edition of Joel Sternfeld’s seminal book returns to the format of the original 1987 edition. All of the now classic images within it—alongside a group of never published photographs—examine a once pristine land safeguarded by Indigenous peoples who needed no lessons in stewardship, and a land now occupied by a mix of peoples hoping for salvation within the fraught paths of late capitalism. The result suggests a vast nation whose prospects have much to do with global prospects, a “teenager of the world” unaware of its strengths, filled with idealism and frequent failings. These pictures see all but judge not. Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld holds the Nobel Foundation Chair in Art and Cultural History at Sarah Lawrence College. His books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures (2012), Landscape as Longing (2016) with Frank Gohlke, Rome after Rome (2019) and Our Loss (2019).
PRAISE AND REVIEWS
Aesthetica
Fruzsina Vida
The pictures carry even more weight than when they were first seen, as they recount the story of a nation that has long since relied on a misplaced idealism. Here, American Prospects pronounces a society in crisis, as it shakily points to a future that still remains uncertain.
Independent Photographer
Elizabeth Kahn
Beautifully presented in the original 1987 publication’s format, this new edition features previously unseen images which accentuate the somewhat dystopic tone.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 12 x 10 in. / 108 pgs / 52 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $73 ISBN: 9783969992296 PUBLISHER: Steidl AVAILABLE: 12/12/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY
Returning to the original 1987 publication’s format, this new edition of Sternfeld’s lyrical portrait of America’s hopes and sorrows includes previously unseen images
Born of a desire to follow the seasons up and down America, and equally to find lyricism in contemporary American life despite all its dark histories, American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony. Oddly enough, the society it seems to presage has now come to be; the ideas of this book bespeak our present moment.
Often out of print, this new edition of Joel Sternfeld’s seminal book returns to the format of the original 1987 edition. All of the now classic images within it—alongside a group of never published photographs—examine a once pristine land safeguarded by Indigenous peoples who needed no lessons in stewardship, and a land now occupied by a mix of peoples hoping for salvation within the fraught paths of late capitalism. The result suggests a vast nation whose prospects have much to do with global prospects, a “teenager of the world” unaware of its strengths, filled with idealism and frequent failings. These pictures see all but judge not.
Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld holds the Nobel Foundation Chair in Art and Cultural History at Sarah Lawrence College. His books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures (2012), Landscape as Longing (2016) with Frank Gohlke, Rome after Rome (2019) and Our Loss (2019).
