ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2024 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 12/7/2024 Artbook at Hauser & Wirth Los Angeles Bookstore presents Chloe Sherman on 'Renegades San Francisco: The 1990s'DATE 12/5/2024 The Primary Essentials x Artbook Pop UpDATE 11/24/2024 Photorealism lives!DATE 11/22/2024 2024 Staff Pick Holiday Gifts!DATE 11/21/2024 NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'DATE 11/18/2024 “All is beauty, all is measure, richness, serenity and pleasure” in ‘Matisse: Invitation to the Voyage’DATE 11/16/2024 Kaleidoscopic and dynamic, Orphism comes to the GuggenheimDATE 11/13/2024 From Belly Dancers to Bingo EnthusiastsDATE 11/11/2024 Know your propaganda!DATE 11/9/2024 Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practiceDATE 11/7/2024 Long before social media, Sophie Calle fearlessly oversharedDATE 11/6/2024 Holiday Gift Guide 2024: For the Lover of LettersDATE 11/6/2024 A shudder of American self-recognition in 'Omen' | EVENTSJAMES LUCAS | DATE 12/14/2010James Hamilton and Peter Schjeldahl in Conversation at The NYPL, December 14, 2010Photographer James Hamilton and art critic Peter Schjeldahl appeared at The New York Public Library on the evening of December 14 to discuss Hamilton's new book, You Should Have Heard Just What I Seen, published by Thurston Moore and Eva Prinz's Ecstatic Peace Library. Topics ranged from bad behavior at the Chelsea Hotel to the importance of working in the darkroom. Schjeldahl also recalled Hamilton's unique ability to capture the photographic imagery of his own words when they worked on assignment together at the Village Voice. Well before the era of the digital camera, Hamilton spent his evenings trolling the night clubs, parties and late-night hangouts of New York's demimonde only to rush home to his apartment/darkroom studio in the wee hours, so that he could develop his footage for the next day's paper. |