ARTBOOK BLOG

RECENT POSTS

DATE 1/14/2025

Join us at the Atlanta Gift & Home Winter Market 2025

DATE 1/2/2025

Wishing You the Beauty of the Mysterious

DATE 12/31/2024

Happy New Year from Artbook | D.A.P.

DATE 12/26/2024

An ode to holiday pleasures

DATE 12/24/2024

Happy Holidays from Artbook | D.A.P.

DATE 12/18/2024

BMCM+AC presents David Silver on 'The Farm at Black Mountain College'

DATE 12/17/2024

Good news for open minds

DATE 12/14/2024

A fascinating new study of Helen Frankenthaler & Co.

DATE 12/12/2024

Donlon Books presents the London launch of 'More Than the Eyes: Art, Food and the Senses'

DATE 12/12/2024

A fresh new take on Black Mountain College

DATE 12/8/2024

The Primary Essentials presents a book signing with JJ Manford

DATE 12/8/2024

‘Larry Sultan & Mike Mandel: Evidence’ is back in print at last!

DATE 12/7/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Chloe Sherman on 'Renegades San Francisco: The 1990s'


ARTBOOK FEATURED IMAGE ARCHIVE

Get out the Joy with Sister Corita!

DATE 11/5/2024

Get out the Joy with Sister Corita!

Election Day 2024. What can we even say? Ultimately, we couldn't think of a better book to wait it out with than Come Alive! The Spirited Art of Sister Corita, the classic compendium from Four Corners Books. This 1966 serigraph poster reads:
Get with the action
Powerful enough to make a difference
Wine that rejoyces man's heart
For emergency use soft shoulder

Celebrate Indigenous artists across the spectrum

DATE 10/14/2024

Celebrate Indigenous artists across the spectrum

Featured spreads are from An Indigenous Present, a superb 448-page compendium gathering more than 60 Native North American contemporary artists, musicians, poets, choreographers, designers, filmmakers, performance artists, architects, collectives and writers, published by DelMonico Books and Big NDN Press. Edited by American Mississippi Chocktaw/Cherokee painter and sculptor Jeffrey Gibson and designed by Montreal-based Cree/Nêhiýaw graphic design studio OTAMI-, this book is created from the inside out. In his introduction, Gibson writes, “It’s no secret that, at various points in my life, I’ve considered quitting being a professional artist. I’ve spoken about this publicly, and I’ve done so because I wanted to be transparent about the challenges of identifying as a Native/Indigenous artist. The historically pervasive racism of institutions and the market left me feeling like I had to do everything on my own. It was too difficult, too often, for too many reasons, but what really rattled me was the ways I’d come to accept — or perhaps ‘metabolize’ is a better word — the racism in the art world. It has taken me two decades to recognize racism’s edges, the way it feels and looks, its pervasive reach. In the art world, it is typically subtle, superficially well intentioned, and extremely polite in its delivery. In response, I have often felt a responsibility to assume the role of mediator and educator, which I’ve done as gracefully as I could in any given context. An Indigenous Present has emerged as much out of my dissatisfaction with the circumstances I have navigated during my own career as it has from witnessing artists who proudly identify as Indigenous carve out their own creative spaces and, collectively, manifest both local and international contexts for their artworks.”

ABOVE: Spreads featuring work by Dana Claxton, Nicholas Galanin and Beau Dick.

For love, and for country

DATE 7/4/2024

For love, and for country

In contrast to Alfred Eisenstaedt’s iconic 1945 photograph, “V-J Day in Times Square,” Amy Sherald's “For love, and for country” (2022) “decisively queers the intimate pose, swapping out a straight, white couple in favor of two black males in uniform,” Jenni Sorkin writes. “Keenly political, Sherald’s painting exemplifies the era of military policy known as ‘open service,’ in which homosexuality is no longer treated as a crime, a shameful secret or a deficiency. Floating on a bright blue background, Sherald’s couple is the embodiment of the celebratory slogan ‘out, loud, and proud’—both for love, embedded in their own chemistry, seemingly oblivious to the external world, and for country, their patriotism embodied by the white-and-blue-striped sailor shirt, topped with a jaunty red scarf knotted at the throat.” In celebration of the national holiday, this painting is reproduced from the recent Hauser & Wirth monograph, The World We Make.

DATE 4/20/2024

Heads up on 4/20!

Heads up on 4/20!

DATE 11/27/2023

Forever Valentino

Forever Valentino