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DATE 3/31/2025

Poster House presents Tomoko Sato and Mỹ Linh Triệu Nguyễn launching 'Timeless Mucha'

DATE 3/14/2025

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Chef's kiss for 'Wicked Arts Education'

DATE 3/9/2025

The first major retrospective of John Wilson

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DATE 3/2/2025

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DATE 3/1/2025

From Mucha to Manga

DATE 3/1/2025

Celebrate Women's History Month, 2025!

DATE 2/25/2025

Join Artbook | D.A.P. at Winter Institute, 2024

DATE 2/19/2025

Help us publish the first-ever authorized facsimile of ‘Archigram’ magazine

DATE 2/18/2025

A new edition of bookseller favorite, 'Women in Trees'

DATE 2/17/2025

A timely look at 20th-century propaganda


IMAGE GALLERY

"Heads of a Man and a Woman" (c. 1877-80) is reproduced from
CORY REYONLDS | DATE 3/25/2016

Edgar Degas: A Strange New Beauty

In her Introduction to MoMA's supreme new survey of Edgar Degas' surprisingly modern and experimental monotype prints, curator Jodi Hauptman quotes an 1876 letter from the etcher Marcellin Desboutin. "'Degas,' Desboutin wrote in scandalized incredulity, 'is no longer a friend, a man, an artist! He’s a zinc or copper plate blackened with printer’s ink, and plate and man are flattened together by his printing press whose mechanism has swallowed him completely! The man’s crazes are out of this world. He now is in the metallurgic phase of reproducing his drawings with a roller and is running all over Paris, in the heat wave—trying to find the legion of specialists who will realize his obsession. He is a real poem! He talks only of metallurgists, lead casters, lithographers, planishers!'" Featured image is "Heads of a Man and a Woman" (c. 1877-80).

Edgar Degas: A Strange New Beauty

Edgar Degas: A Strange New Beauty

The Museum of Modern Art, New York
Hbk, 8 x 10 in. / 224 pgs / 230 color.





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