ARTBOOK BLOG

RECENT POSTS

DATE 12/5/2024

The Primary Essentials x Artbook Pop Up

DATE 11/21/2024

NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'

DATE 11/16/2024

Kaleidoscopic and dynamic, Orphism comes to the Guggenheim

DATE 11/13/2024

From Belly Dancers to Bingo Enthusiasts

DATE 11/11/2024

Know your propaganda!

DATE 11/9/2024

Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practice

DATE 11/7/2024

Long before social media, Sophie Calle fearlessly overshared

DATE 11/6/2024

Holiday Gift Guide 2024: For the Lover of Letters

DATE 11/6/2024

A shudder of American self-recognition in 'Omen'

DATE 11/5/2024

Holiday Gift Guide 2024: Where Form Meets Function

DATE 11/3/2024

Holiday Gift Guide 2024: For the Film Buff

DATE 11/2/2024

Holiday Gift Guide 2024: Artful Crowd-Pleasers

DATE 11/1/2024

Holiday Gift Guide 2024: Stuff that Stocking


IMAGE GALLERY

"Leaving Paphos Ringed with Waves (III)," Gaeta, 2009, is reproduced from
CORY REYNOLDS | DATE 8/2/2022

'Cy Twombly: Making Past Present' opens at the Getty!

Painted in Gaeta, Italy, in 2009, "Leaving Paphos Ringed with Waves (III)" is reproduced from Cy Twombly: Making Past Present, the blockbuster catalog to the exhibition opening August 2, 2022, at the Getty, en route to MFA Boston in January of 2023. Pairing a selection the artist's paintings, drawings and sculptures alongside works of classical antiquity—some of which were in Twombly's own collection—this is truly a book for art lovers. "Cy Twombly was fascinated by ancient Greece and Rome. This much is incontestable," Brooke Holmes writes. "But when it comes to what we should make of Twombly's lifelong engagement with 'the ancients,' critics have found far less to agree on. What is the status of his knowledge? Erudition? Inspiration? What is the mode of his engagement? Ambition? Play? Affection? Escapism? Iconoclasm? Given the integral place of classical antiquity in Twombly's work—and his move to Italy in the late 1950s—the terms of his reception were, for much of his career, yoked to the broader fortunes of some of the more troubled terms of later twentieth-century criticism: humanism, classicism, aesthetics. The result is that conjugating Twombly with 'the ancients' has tended to sharpen the contrast between two opposed Twomblys: one sited firmly within the canon, alive to timeless truths but inured to the present; the other consummately anticanonical—the 'irreverent schoolboy' who, bored in Latin class, carves the names of dead poets into his desktop, or the Zen master who pricks 'the humanist turgescence.' Twombly's work has always forced a negotiation between the classical and the contemporary…"

Cy Twombly: Making Past Present

Cy Twombly: Making Past Present

MFA Publications, Museum of Fine Arts, Boston
Hbk, 9.5 x 11 in. / 264 pgs / 170 color.

$65.00  free shipping





Know your propaganda!

DATE 11/11/2024

Know your propaganda!

Halloween reading

DATE 10/31/2024

Halloween reading

Denim deep dive

DATE 10/27/2024

Denim deep dive

Photorealism lives!

DATE 10/24/2024

Photorealism lives!

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!