ARTBOOK BLOG

RECENT POSTS

DATE 12/5/2024

The Primary Essentials x Artbook Pop Up

DATE 11/21/2024

NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'

DATE 11/16/2024

Kaleidoscopic and dynamic, Orphism comes to the Guggenheim

DATE 11/13/2024

From Belly Dancers to Bingo Enthusiasts

DATE 11/11/2024

Know your propaganda!

DATE 11/9/2024

Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practice

DATE 11/7/2024

Long before social media, Sophie Calle fearlessly overshared

DATE 11/6/2024

Holiday Gift Guide 2024: For the Lover of Letters

DATE 11/6/2024

A shudder of American self-recognition in 'Omen'

DATE 11/5/2024

Holiday Gift Guide 2024: Where Form Meets Function

DATE 11/3/2024

Holiday Gift Guide 2024: For the Film Buff

DATE 11/2/2024

Holiday Gift Guide 2024: Artful Crowd-Pleasers

DATE 11/1/2024

Holiday Gift Guide 2024: Stuff that Stocking


AT FIRST SIGHT

KARA SAULSBERRY | DATE 10/28/2010

Phyllis Galembo: Maske

Phyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.

Phyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.

Phyllis Galembo: Maske
above: Gwarama Masquerade, Yegueresso Village, Burkina Faso, 2006

For over two decades Galembo has been documenting cultural and religious traditions in Africa and the African Diaspora. Galembo began photographing in Nigeria in 1985; today she finds her subjects throughout western and central Africa that participate in traditional African ceremonies, masquerade events, contemporary dress, and carnivals. These participants use their costumes to create mythic characters; some are humorous and critical, others are bold and frightening. No matter what the mood, Galembo’s photographs always describe the transformative power of the mask.

Phyllis Galembo: Maske
above: Plank Masquerade, Koro Village, Burkina Faso, 2006
Phyllis Galembo: Maske
above: Janus Mask, Nkim Village, Nigeria, 2005
Phyllis Galembo: Maske
above: Ekpokang Masquerade, Calabar South, Nigeria, 2005
Phyllis Galembo: Maske
above: Ewokom Asquerade, Eshinjok Village, Nigeria, 2004
Phyllis Galembo: Maske
above: Three Painted Boys, Jacmel, Haiti, 2004
Phyllis Galembo: Maske
above: Surprise Box, Jacmel, Haiti, 2004
Phyllis Galembo: Maske
above: Chaloskas, Jacmel, Haiti, 2009

Phyllis Galembo: Maske

Phyllis Galembo: Maske

Chris Boot
Hbk, 8.75 x 9.5 in. / 208 pgs / 108 color.