ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2024 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 1/14/2025 Join us at the Atlanta Gift & Home Winter Market 2025DATE 1/2/2025 Wishing You the Beauty of the MysteriousDATE 12/31/2024 Happy New Year from Artbook | D.A.P.DATE 12/26/2024 An ode to holiday pleasuresDATE 12/24/2024 Happy Holidays from Artbook | D.A.P.DATE 12/18/2024 BMCM+AC presents David Silver on 'The Farm at Black Mountain College'DATE 12/17/2024 Good news for open mindsDATE 12/14/2024 A fascinating new study of Helen Frankenthaler & Co.DATE 12/12/2024 Donlon Books presents the London launch of 'More Than the Eyes: Art, Food and the Senses'DATE 12/12/2024 A fresh new take on Black Mountain CollegeDATE 12/8/2024 The Primary Essentials presents a book signing with JJ ManfordDATE 12/8/2024 ‘Larry Sultan & Mike Mandel: Evidence’ is back in print at last!DATE 12/7/2024 Artbook at Hauser & Wirth Los Angeles Bookstore presents Chloe Sherman on 'Renegades San Francisco: The 1990s' | AT FIRST SIGHTKARA SAULSBERRY | DATE 10/28/2010Phyllis Galembo: MaskePhyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.For over two decades Galembo has been documenting cultural and religious traditions in Africa and the African Diaspora. Galembo began photographing in Nigeria in 1985; today she finds her subjects throughout western and central Africa that participate in traditional African ceremonies, masquerade events, contemporary dress, and carnivals. These participants use their costumes to create mythic characters; some are humorous and critical, others are bold and frightening. No matter what the mood, Galembo’s photographs always describe the transformative power of the mask. above: Janus Mask, Nkim Village, Nigeria, 2005 above: Ekpokang Masquerade, Calabar South, Nigeria, 2005 above: Ewokom Asquerade, Eshinjok Village, Nigeria, 2004 above: Three Painted Boys, Jacmel, Haiti, 2004 above: Surprise Box, Jacmel, Haiti, 2004 above: Chaloskas, Jacmel, Haiti, 2009 |