ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2024 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 12/5/2024 The Primary Essentials x Artbook Pop UpDATE 11/21/2024 NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'DATE 11/16/2024 Kaleidoscopic and dynamic, Orphism comes to the GuggenheimDATE 11/13/2024 From Belly Dancers to Bingo EnthusiastsDATE 11/11/2024 Know your propaganda!DATE 11/9/2024 Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practiceDATE 11/7/2024 Long before social media, Sophie Calle fearlessly oversharedDATE 11/6/2024 Holiday Gift Guide 2024: For the Lover of LettersDATE 11/6/2024 A shudder of American self-recognition in 'Omen'DATE 11/5/2024 Holiday Gift Guide 2024: Where Form Meets FunctionDATE 11/3/2024 Holiday Gift Guide 2024: For the Film BuffDATE 11/2/2024 Holiday Gift Guide 2024: Artful Crowd-PleasersDATE 11/1/2024 Holiday Gift Guide 2024: Stuff that Stocking | AT FIRST SIGHTKARA SAULSBERRY | DATE 10/28/2010Phyllis Galembo: MaskePhyllis Galembo is a Professor of Art at the University at Albany, State University of New York. Galembo’s work has been exhibited and collected by museums and institutions all over the world, including the American Museum of Natural History, the Fashion Institute of Technology, the Smithsonian, MFA Houston, Philadelphia Museum of Art, and the Tokyo Metropolitan Museum of Photography.For over two decades Galembo has been documenting cultural and religious traditions in Africa and the African Diaspora. Galembo began photographing in Nigeria in 1985; today she finds her subjects throughout western and central Africa that participate in traditional African ceremonies, masquerade events, contemporary dress, and carnivals. These participants use their costumes to create mythic characters; some are humorous and critical, others are bold and frightening. No matter what the mood, Galembo’s photographs always describe the transformative power of the mask. above: Janus Mask, Nkim Village, Nigeria, 2005 above: Ekpokang Masquerade, Calabar South, Nigeria, 2005 above: Ewokom Asquerade, Eshinjok Village, Nigeria, 2004 above: Three Painted Boys, Jacmel, Haiti, 2004 above: Surprise Box, Jacmel, Haiti, 2004 above: Chaloskas, Jacmel, Haiti, 2009 |