ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2024 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 12/5/2024 The Primary Essentials x Artbook Pop UpDATE 11/21/2024 NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'DATE 11/16/2024 Kaleidoscopic and dynamic, Orphism comes to the GuggenheimDATE 11/13/2024 From Belly Dancers to Bingo EnthusiastsDATE 11/11/2024 Know your propaganda!DATE 11/9/2024 Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practiceDATE 11/7/2024 Long before social media, Sophie Calle fearlessly oversharedDATE 11/6/2024 Holiday Gift Guide 2024: For the Lover of LettersDATE 11/6/2024 A shudder of American self-recognition in 'Omen'DATE 11/5/2024 Holiday Gift Guide 2024: Where Form Meets FunctionDATE 11/3/2024 Holiday Gift Guide 2024: For the Film BuffDATE 11/2/2024 Holiday Gift Guide 2024: Artful Crowd-PleasersDATE 11/1/2024 Holiday Gift Guide 2024: Stuff that Stocking | BOOKS IN THE MEDIASHARON HELGASON GALLAGHER | DATE 6/5/2015Announcing the Fall 2015 ARTBOOK | D.A.P. CatalogueBefore you delve into our new catalogue, take another look at Barbara Kasten's "Construct NYC-4" (1983), reproduced on the front cover from JRP | Ringier's excellent monograph accompanying her exhibition at ICA Philadelphia. Glanced at quickly, this image might seem to be a digital manipulation. But it's not; it's "real." Kasten's working process combines sculpture (she constructs three-dimensional "stage-sets"), performance (she physically moves within and around her props and lights them theatrically) and photography (she sets up her camera to frame a particular two-dimensional image). The resulting "reality" that Kasten shows us is the product of an individual act of seeing. As Andy Grundberg has eloquently written, "the photographs remind us that what we see depends on how we choose to see it." |