Hans Ulrich Obrist & Dan Graham: Conversation Series
Volume 25
Edited by Hans Ulrich Obrist.
Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives.
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FORMAT: Pbk, 5.5 x 8.5 in. / 134 pgs. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 ISBN: 9783865607911 PUBLISHER: Walther König, Köln AVAILABLE: 3/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR
Hans Ulrich Obrist & Dan Graham: Conversation Series Volume 25
Published by Walther König, Köln. Edited by Hans Ulrich Obrist.
Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives.
