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CURATOR INDEX

Yve-Alain Bois

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays


  

PREVIOUSLY ANNOUNCED

Franz Erhard Walther: Objects, to Use, Instruments for Processes

WALTHER KöNIG, KöLN
Foreword by Eugenio López Alonso. Text by Peter Weibel, Christian Rattemeyer, Julieta González, Bazon Brock, Yve-Alain Bois, Georg Jappe, Paul Weimber, Jean Leering.

Flexi, 6 x 8.5 in. / 408 pgs / 175 bw. | 3/25/2025 | Awaiting stock
$25.00


           

ACTIVE BACKLIST

Robert Rauschenberg

THE MUSEUM OF MODERN ART, NEW YORK
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

"Painting relates to both art and life. Neither can be made. (I try to act in the gap between the two.)" —Robert Rauschenberg

Pbk, 9.5 x 12 in. / 392 pgs / 375 color. | 5/23/2017 | In stock
$55.00


Robert Rauschenberg

THE MUSEUM OF MODERN ART, NEW YORK
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

“Offering both a complete overview and fresh perspective of the momentous artist, nearly everything that Rauschenberg tackled in his career is included here, including his printmaking, photography, and famous silkscreen paintings.” –Interview Magazine

Hbk, 9.5 x 12 in. / 392 pgs / 475 color. | 12/6/2016 | In stock
$75.00


Morgan Fisher: Two Exhibitions

WALTHER KöNIG, KöLN
Edited and with introduction by Sabine Folie, Susanne Titz. Text by Thom Andersen, Rainer Bellenbaum, Sabeth Buchmann, Yve-Alain Bois, Morgan Fisher.

Clth, 11 x 7.75 in. / 248 pgs / 149 color / 49 bw. | 10/31/2012 | In stock
$55.00


Morgan Fisher: Conversations

ASPEN ART PRESS
Edited and with text by Jacob Proctor. Foreword by Heidi Zuckerman Jacobson. Contributions by Walead Beshty, Yve-Alain Bois, Stuart Comer, Christophe Gallois and Jean-Philippe Antoine, Melissa Gronlund, William E. Jones, Scott MacDonald, Frances Stark, Christopher Williams.

Pbk, 6 x 9 in. / 192 pgs / illustrated throughout. | 6/23/2015 | In stock
$30.00


Inventing Abstraction, 1910-1925

THE MUSEUM OF MODERN ART, NEW YORK
By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

Hbk, 9.5 x 12 in. / 376 pgs / 446 color. | 1/31/2013 | In stock
$75.00


Cheyney Thompson: Metric, Pedestal, Landlord, Cabengo, Recit

WALTHER KöNIG, KöLN
Introduction by Paul C. Ha. Text by Simon Baier, Yve-Alain Bois, Ann Lauterbach. Interview by Joao Ribas.

Hbk, 9.5 x 11.75 in. / 200 pgs / 104 color / 52 bw. | 6/30/2013 | Out of stock
$59.95


                

OUT OF PRINT LISTING

Isa Genzken: Open Sesame

WALTHER KöNIG, KöLN
Edited by Iwona Blazwick. Foreword by Kasper Koenig. Text by Yves-Alain Bois, Ulrich Loock.

Hbk, 9.25 x 11.25 in. / 248 pgs / 202 color. | 8/31/2009 | Not available
$66.00


Fernand Léger: Paris-New York

HATJE CANTZ
Text by Yve-Alain Bois, Raphaël Bouvier, Christian Derouet, Brigitte Hedel-Samson, Philippe Büttner.

Hardback, 10 x 12 in. / 208 pgs / 107 color / 3 bw. | 9/1/2008 | Not available
$75.00


Martin Barré

THEA WESTREICH/ETHAN WAGNER
Text by Yve-Alain Bois.

Hardback, 11 x 10.25 in. / 160 pgs / 175 color / 30 bw. | 8/1/2008 | Not available
$45.00


Gabriel Orozco

TURNER/A&R PRESS/CONACULTA-INBA
Text by Yve-Alain Bois, Benjamin H.D. Buchloh, Briony Fer.

Hardcover, 11.5 x 12.25 in. / 360 pgs / 700 color. | 4/1/2007 | Not available
$90.00


Held Together with Water

HATJE CANTZ
Edited by Gabriele Schor. Preface by Peter Noever. Text by Thierry de Duve, Edith Futscher, Yve-Alain Bois, et al.

Hardcover, 9.25 x 11 in. / 392 pgs / 500 color. | 10/1/2007 | Not available
$50.00


Peter Saville: Estate 1-127

JRP|RINGIER
Edited by Heike Munder. Text by Sean Snyder, Wolfgang Tilmans, Sarah Morris, Michael Bracewell.

Paperback, 8 x 10.5 in. / 272 pgs./ 240 color | 10/1/2007 | Not available
$50.00


Fred Sandback: Being in a Place

HATJE CANTZ
Edited by Friedemann Malsch and Christiane Meyer-Stoll. Essays by Yve-Alain Bois and Thierry Davila.

Hardcover, 8 x 10 in. / 296 pgs / 24 color / 120 bw. | 3/1/2006 | Not available
$55.00


Ellsworth Kelly: Tablet 1948-1973

THE DRAWING CENTER
Edited by Catherine de Zegher. Introduction by Yve-Alain Bois and Yves Aupetitallot.

Hardcover, 13 x 9.75 in. / 208 pgs / 188 color | 6/15/2004 | Not available
$50.00


Franz Erhard Walther: Objects, to Use, Instruments for ProcessesFranz Erhard Walther: Objects, to Use, Instruments for Processes

Published by Walther König, Köln.
Foreword by Eugenio López Alonso. Text by Peter Weibel, Christian Rattemeyer, Julieta González, Bazon Brock, Yve-Alain Bois, Georg Jappe, Paul Weimber, Jean Leering.

Published on the occasion of a Fundación Jumex exhibition, this Franz Erhard Walther sourcebook compiles texts that are key to interpreting Walther’s objects and to assessing the cultural impact of an artist who, in the 1960s and '70s, assiduously avoided joining any group or art movement.



PUBLISHER
Walther König, Köln

BOOK FORMAT
Flexi, 6 x 8.5 in. / 408 pgs / 175 bw.

PUBLISHING STATUS
Pub Date
Forthcoming

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2019 p. 31   

PRODUCT DETAILS
ISBN 9783960984030 FLAT40
List Price: $25.00 CAD $34.50

AVAILABILITY
Awaiting stock

STATUS: Forthcoming | 3/25/2025

This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com

Amy Sillman: The ALL-OVERAmy Sillman: The ALL-OVER

Published by Dancing Foxes Press/Portikus, Frankfurt.
Text by Yve-Alain Bois, Manuela Ammer. Interview by Fabian Schöneich.

New York–based Amy Sillman (born 1955) is one of the most beloved and quietly influential contemporary American artists. The ALL-OVER provides a comprehensive overview of her most recent bodies of work, including painting and serially exhibited large-scale abstractions, as well as diagrams, drawings, animations and sculpture.

The title of the book, and the exhibition it accompanies at Frankfurt's Portikus, refers to a concept often used to describe abstract painting (the classic instance of which is the work of Jackson Pollock). Much of Sillman’s oeuvre can be categorized as such, although her abstractions often suggest recognizable forms and figures. In the 24-canvas series Panorama, motifs seem to run continuously around the walls of the exhibition space, but in fact are repeated prints of the artist’s drawings with painterly interventions. The materiality is lost through the superimposition of print and oil paint; what remains is pure color and gesture. Also present here are stills from an animation developed by Sillman to be exhibited alongside Panorama and an insert made especially for the book by the artist. Alongside essays by Manuela Ammer, Yve-Alain Bois and Sillman herself. The book includes a conversation with the artist by Fabian Schöneich.



PUBLISHER
Dancing Foxes Press/Portikus, Frankfurt

BOOK FORMAT
Hardcover, 7.75 x 10.5 in. / 164 pgs / 95 color.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2017 p. 121   

PRODUCT DETAILS
ISBN 9780998632629 TRADE
List Price: $40.00 CAD $54.00 GBP £35.00

AVAILABILITY
Not available

STATUS: Out of stock indefinitely.

Robert RauschenbergRobert Rauschenberg

Published by The Museum of Modern Art, New York.
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new interdisciplinary models of artistic practice that shaped the decades to come. Published in conjunction with this century's first retrospective of this defining figure in postwar art, this richly illustrated catalog reframes Rauschenberg’s widely celebrated Combines (1954–64) and silkscreen paintings (1962–64) in fresh ways. It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.

Sixteen short essays by eminent scholars and emerging new writers focus on specific moments throughout Rauschenberg’s career, exploring his creative production across an extraordinary range of media and following him on his travels around the globe. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history and a necessary volume for anyone interested in contemporary art.

Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that set the course for art of the present day.



Leah Dickerman is Director of Editorial & Content Strategy at The Museum of Modern Art, New York.

Achim Borchardt-Hume is Director of Exhibitions at Tate Modern, London.

Yve-Alain Bois is Professor of Art History at the School of Historical Studies, Institute for Advanced Study, Princeton University.

Andrianna Campbellis a doctoral candidate in the Department of Art History at the CUNY Graduate Center, where she specializes in American art in the modern and contemporary period.

Hal Foster is American art critic and historian.

Mark Godfrey is Curator of Contemporary Art at Tate Modern, London.

Hiroko Ikegami is Associate Professor in the Graduate School of Intercultural Studies at Kobe University and specializes in post-1945 American art and its global impact.

Branden Joseph is Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University.

Ed Kr?ma is Lecturer in History of Art at the School of World Art and Museum Studies, University of East Anglia and co-editor of Enclave Review.

Michelle Kuo is Professor in the History, Law, and Society program at the American University of Paris on issues related to race, punishment, immigration and the law.

Pamela Lee is Carnegie Professor of Modern and Contemporary Art at Yale University.

Emily Liebert is an American author. Her most recent novels are You Knew Me When (2013), When We Fall (2014), Those Secrets We Keep (2015) and Some Women (2016), all with Penguin Random House and Pretty Revenge (2019) with Simon & Schuster.

Richard Meyer is Robert and Ruth Halperin Professor in Art History at Stanford University.

Helen Molesworth is former Chief Curator at The Museum of Contemporary Art, Los Angeles.

Kate Nesin is an art historian based in New York.

Sarah Robertsis Assistant Professor of Information Studies at the University of California Los Angeles.

Catherine Wood is Senior Curator of Contemporary Art and Performance at Tate Modern."

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Paperback, 9.5 x 12 in. / 392 pgs / 375 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2017 p. 10   

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ISBN 9781633450219 TRADE
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Robert RauschenbergRobert Rauschenberg

Published by The Museum of Modern Art, New York.
Edited with text by Leah Dickerman, Achim Borchardt-Hume. Text by Yve-Alain Bois, Andrianna Campbell, Hal Foster, Mark Godfrey, Hiroko Ikegami, Branden Joseph, Ed Krcma, Michelle Kuo, Pamela Lee, Emily Liebert, Richard Meyer, Helen Molesworth, Kate Nesin, Sarah Roberts, Catherine Wood.

The early 1950s, when Robert Rauschenberg launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition, inventing new intermedia forms of art making that shaped the decades to come. Published in conjunction with the inaugural 21st-century retrospective of this defining figure, this book offers fresh perspectives on Rauschenberg’s widely celebrated Combines (1954–64) and silkscreen paintings (1962–64). It also illuminates lesser-known periods within Rauschenberg’s career, including his work of the early 1950s and that from the late 1960s onward, now compelling and prescient to contemporary eyes.

Sixteen short essays by eminent scholars and emerging new writers focus on specific moments within Rauschenberg’s career, examining his creative production across an extraordinary range of media. Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist’s career in 20 years, an important contribution to American cultural and intellectual history across disciplines and a necessary volume for anyone interested in art of the present day.

Over the span of six decades, Robert Rauschenberg (1925–2008) worked in an astonishing range of mediums including painting, sculpture, prints, photography and performance, and became one of the most transformative figures in postwar American culture. Working alone and in collaboration with artists, dancers, musicians and writers, Rauschenberg produced a vast body of work that continues to resonate today.



Leah Dickerman is The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art. Achim Borchardt-Hume is Director of Exhibitions, Tate Modern. Yve-Alain Bois is Professor of Art History, Institute for Advanced Study, Princeton University. Andrianna Campbell is a Doctoral Candidate, CUNY Graduate Center. Hal Foster is Townsend Martin, Class of 1917, Professor of Art and Archaeology, Princeton University.  Mark Godfrey is Senior Curator, International Art (Europe and Americas), Tate Modern. Hiroko Ikegami is Associate Professor, Graduate School of Intercultural Studies, Kobe University. Branden Joseph is Frank Gallipoli Professor of Modern and Contemporary Art, Art History and Archaeology, Columbia University. Ed Krcma is Lecturer in Art History, University of East Anglia. Michelle Kuo is Editor in Chief, Artforum International Magazine. Pamela Lee is Jeanette and William Hayden Jones Professor in American Art and Culture, Stanford University. Emily Liebert is Curatorial Assistant, Department of Painting and Sculpture, The Museum of Modern Art. Richard Meyer is Robert and Ruth Halperin Professor in Art History, Stanford University. Helen Molesworth is Chief Curator, The Museum of Contemporary Art, Los Angeles. Kate Nesin is Associate Curator, Art Institute of Chicago. Sarah Roberts is Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art. Catherine Wood is Senior Curator, International Art (Performance).

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 392 pgs / 475 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
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Catalog: FALL 2016 p. 3   

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ISBN 9781633450202 TRADE
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Morgan Fisher: ConversationsMorgan Fisher: Conversations

Published by Aspen Art Press.
Edited and with text by Jacob Proctor. Foreword by Heidi Zuckerman Jacobson. Contributions by Walead Beshty, Yve-Alain Bois, Stuart Comer, Christophe Gallois and Jean-Philippe Antoine, Melissa Gronlund, William E. Jones, Scott MacDonald, Frances Stark, Christopher Williams.

Los Angeles–based artist and filmmaker Morgan Fisher first achieved widespread recognition in the late 1960s and 1970s for a body of experimental films that deconstructed the language of cinema, both as raw material and as a set of production methods and technical procedures. Since the late 1990s, Fisher has focused primarily on painting (and the painting’s environment), and this volume is published in conjunction with the first solo museum exhibition of his paintings in the U.S., at Aspen Art Museum. Containing interviews conducted with Fisher over a span of 25 years--conversations between Fisher and Walead Beshty, Yve-Alain Bois, Stuart Comer, Christophe Gallois and Jean-Philippe Antoine, Melissa Gronlund, William E. Jones, Scott MacDonald, Frances Stark and Christopher Williams--and featuring new work by Fisher conceived especially for the exhibition, this is an invaluable Morgan Fisher sourcebook.

PUBLISHER
Aspen Art Press

BOOK FORMAT
Paperback, 6 x 9 in. / 192 pgs / illustrated throughout.

PUBLISHING STATUS
Pub Date
Active

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Catalog: SPRING 2013 p. 112   

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ISBN 9780934324588 TRADE
List Price: $30.00 CAD $40.00 GBP £27.00

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Cheyney Thompson: Metric, Pedestal, Landlord, Cabengo, RecitCheyney Thompson: Metric, Pedestal, Landlord, Cabengo, Recit

Published by Walther König, Köln.
Introduction by Paul C. Ha. Text by Simon Baier, Yve-Alain Bois, Ann Lauterbach. Interview by Joao Ribas.

Cheyney Thompson has made the technology, production and distribution of painting the subject of his work. His Chronochromes (2009–2011) are composed using the color system devised by Albert H. Munsell in the early 1900s. Thompson grafts this system onto a calendar: each day is assigned a complementary hue pair, with every hour changing the value, and every month changing the saturation, of each brushstroke.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 200 pgs / 104 color / 52 bw.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
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Catalog: FALL 2012 p. 167   

PRODUCT DETAILS
ISBN 9783863351540 TRADE
List Price: $59.95 CAD $79.00

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Out of stock

STATUS: Out of stock

Temporarily out of stock pending additional inventory.

Inventing Abstraction, 1910-1925Inventing Abstraction, 1910-1925

Published by The Museum of Modern Art, New York.
By Leah Dickerman. Text by Matthew Affron, Yve-Alain Bois, Masha Chlenova, Ester Coen, Christoph Cox, Hubert Damisch, Rachael DeLue, Hal Foster, Mark Franko, Matthew Gale, Peter Galison, Maria Gough, Jodi Hauptman, Gordon Hughes, David Joselit, Anton Kaes, David Lang, Susan Laxton, Philippe-Alain Michaud, Jaroslav Suchan, Lanka Tatersall, Michael R. Taylor.

In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum’s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned scholars from a variety of fields.

PUBLISHER
The Museum of Modern Art, New York

BOOK FORMAT
Hardcover, 9.5 x 12 in. / 376 pgs / 446 color.

PUBLISHING STATUS
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Active

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Catalog: FALL 2012 p. 16   

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ISBN 9780870708282 TRADE
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Morgan Fisher: Two ExhibitionsMorgan Fisher: Two Exhibitions

Published by Walther König, Köln.
Edited and with introduction by Sabine Folie, Susanne Titz. Text by Thom Andersen, Rainer Bellenbaum, Sabeth Buchmann, Yve-Alain Bois, Morgan Fisher.

Morgan Fisher (born 1942) gained prominence in the early 1970s as an experimental filmmaker in the Los Angeles Structuralist school. In the mid 1990s he turned to monochrome painting. This volume surveys two recent shows in Austria and Germany.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Clth, 11 x 7.75 in. / 248 pgs / 149 color / 49 bw.

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Pub Date
Active

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Catalog: SPRING 2013 p. 187   

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ISBN 9783863351694 TRADE
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Isa Genzken: Open SesameIsa Genzken: Open Sesame

Published by Walther König, Köln.
Edited by Iwona Blazwick. Foreword by Kasper Koenig. Text by Yves-Alain Bois, Ulrich Loock.

Retrospektive covers more than three decades of Berlin-based Isa Genzken's career, with over 150 images, some of which are published here for the first time. Although she works in a variety of media, Genzken is best known for her architectural sculptures made from colorful materials, including mirrored sheets, fluorescent plastic and glass. A catalogue for Open, Sesame!, Genzken's retrospective exhibition at Cologne's Museum Ludwig and London's Whitechapel Gallery, this volume offers the most definitive look yet at an influential and notoriously reclusive artist. Featured are essays by renowned critic Yves-Alain Bois, curators Ulrich Loocks, Donna De Salvo and Ian White, an interview with Museum Ludwig Director Kasper König and contributions from artists Dan Graham, Wolfgang Tillmans and Lawrence Weiner.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Hardcover, 9.25 x 11.25 in. / 248 pgs / 202 color.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: FALL 2009 p. 84   

PRODUCT DETAILS
ISBN 9783865606105 TRADE
List Price: $66.00 CAD $80.00

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STATUS: Out of print | 5/28/2010

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Jean-Luc MoulčneJean-Luc Moulčne

Published by Walther König, Köln.
Text by Jean-Pierre Criqui, Yves-Alain Bois, Briony Fer.

This book brings together a selection of Jean-Luc Moulčne's photographs, sculptures and drawings, from 1977 to 2008, with an emphasis on work done in the past decade. Moulčne's multimedia activities--mostly recording in photography--utilize negations and political interventions in everyday life.

PUBLISHER
Walther König, Köln

BOOK FORMAT
Paperback, 9 x 11.75 in. / 172 pgs / 82 color / 12 bw.

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Pub Date
Out of stock indefinitely

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Catalog: FALL 2009 p. 143   

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Martin BarréMartin Barré

Published by Thea Westreich/Ethan Wagner.
Text by Yve-Alain Bois.

Important European galleries and museums exhibited French painter Martin Barré continuously from the time he first came on the scene in the mid-1950s until his death in 1993. Despite the perplexing lack of exposure in America, today many young painters look to Barré as an exemplar of the "new Modernity" and hold him in esteem for the thoughtful, inventive and sensitive ways he explored line, form, color and the two-dimensional surface. This interest has been responsible, at least in part, for a renewed focus on Barré's work lately-as well as a reconsideration of his place in the history of painting. This volume is the first to cover the artist's complete oeuvre, from 1955 to 1992, and it is the most extensively illustrated yet in print. Noted art historian and critic Yve-Alain Bois contributes a stunning essay reflecting on the singular achievement of this history-making artist.
Martin Barré, the historically important artist, was born in Nante, France in 1924. His career spanned much of the latter half of the 20th century. He emerged on the Paris scene in the mid-1950's and died in 1993, at the age of 69. During his lifetime, important museums and galleries across Europe regularly exhibited his work. Barré effectively transcended the time when the ideals of Modernism gave way to the new spirit of contemporary art. And, as a contemporary artist, Barré's inventive and sensitive exploration of line, color and form and the two-dimensional surface formed a singular achievement in the history of abstract painting. In recent years, Barré has received international attention. In 2006 the Centre Pompidou hung three of its trove of Barré paintings with pride of place in one of its permanent galleries, along with work by Carl Andre, Agnes Martin and Robert Ryman. In its 2001 show, As Painting: Division and Displacement, the Wexner Center for the Arts prominently exhibited Barré's paintings with works by Daniel Buren, Donald Judd, Gerhard Richter, Robert Ryman and Jacques Villeglé. In 2008, he was featured in a one person show organized by Thea Westreich and Ethan Wagner at Andrew Kreps Gallery.

PUBLISHER
Thea Westreich/Ethan Wagner

BOOK FORMAT
Hardback, 11 x 10.25 in. / 160 pgs / 175 color / 30 bw.

PUBLISHING STATUS
Pub Date
Out of print

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Catalog: FALL 2008 p. 124   

PRODUCT DETAILS
ISBN 9780615190891 TRADE
List Price: $45.00 CAD $55.00

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STATUS: Out of print | 00/00/00

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Fernand Léger: Paris-New YorkFernand Léger: Paris-New York

Published by Hatje Cantz.
Text by Yve-Alain Bois, Raphaël Bouvier, Christian Derouet, Brigitte Hedel-Samson, Philippe Büttner.

Fernand Léger (1881-1955) is one of the few Modernist artists that can be said to have anticipated both American Abstraction and American Pop, and to have made a deliberate relationship with American culture: He visited the U.S. several times, and during the Second World War, from 1940 to 1945, he lived in exile in New York. In America, Léger found much to admire--above all, a dynamic embrace of industry sympathetic to his own quasi-Futurist love of technological energies. An early critic of Léger described him as more of a "Tubist" than a Cubist, noting the cool metal cylinders that fill his early work. It was through such motifs that the artist approached modern life, viewing industry as a force for the good and its translation into art as a Modern vernacular. "Our pictures are our slang," he optimistically declared towards the end of his stay in New York. During that time, Léger had produced some of his most important works, which found a ready audience in the younger American artists surrounding him. Paris-New York covers the artist's entire oeuvre, from the Cubist-influenced early work to the later, cheerful large-format paintings. Special attention is paid to the American dimension of Léger's oeuvre, and the volume traces his impact on American artists--primarily on Roy Lichtenstein and Ellsworth Kelly, but also on other late twentieth-century artists such as Robert Rauschenberg, Al Held, Jasper Johns, James Rosenquist, Frank Stella and Andy Warhol.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardback, 10 x 12 in. / 208 pgs / 107 color / 3 bw.

PUBLISHING STATUS
Pub Date
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Catalog: FALL 2008 p. 62   

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ISBN 9783775721615 TRADE
List Price: $75.00 CAD $90.00

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STATUS: Out of print | 00/00/00

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Peter Saville: Estate 1-127Peter Saville: Estate 1-127

Published by JRP|Ringier.
Edited by Heike Munder. Text by Sean Snyder, Wolfgang Tilmans, Sarah Morris, Michael Bracewell.

The now legendary cover designs for the Joy Division album Unknown Pleasures (1979) and the New Order single "Blue Monday" (1983) brought the Manchester graphic designer Peter Saville immediate international renown, with their somber yet lush Modernist edge. Saville was the cofounder of Factory Records, and was single-handedly responsible for its unique house style, so widely imitated, and so entirely Saville's own. Outside of the Factory stable he has produced covers for, among others, Patti Smith, Roxy Music, Wham!, Suede and Pulp, and has also collaborated on many architectural, fashion and interior design ventures, including the famous Manchester nightclub the Haçienda, and collaborations with Nick Knight, David Chippenfield and Stella McCartney. His sensibility combines unerring elegance with a remarkable ability to facture imagery that epitomizes and defines a cultural moment. Based on his solo exhibition at the Migros Museum in Zurich, which also traveled to the ICA London, this book surveys Saville's extensive archives for the first time. It was conceived and designed in close collaboration with Saville; as such, it is the first publication to be designed by the artist.

Born in Manchester (U.K.) in 1955, Peter Saville studied graphic design at Manchester Polytechnic. He found early inspiration in the elegantly ordered aesthetic of Jan Tschichold, the German-born book and type designer who was to become the chief propagandist for the New Typography. In 1979 he co-founded Factory Records (with Tony Wilson), and in the following year he co-designed the famous Haçienda nightclub.

PUBLISHER
JRP|Ringier

BOOK FORMAT
Paperback, 8 x 10.5 in. / 272 pgs./ 240 color

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Catalog: FALL 2007 p. 170   

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ISBN 9783905701661 TRADE
List Price: $50.00 CAD $67.50

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STATUS: Out of print | 00/00/00

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Held Together with WaterHeld Together with Water

Art from the Verbund Collection

Published by Hatje Cantz.
Edited by Gabriele Schor. Preface by Peter Noever. Text by Thierry de Duve, Edith Futscher, Yve-Alain Bois, et al.

The recently founded (2004) and very actively acquisitive Verbund Collection integrates contemporary American and European art with works created since 1970. Its two central areas of interest are pieces exploring ideas of performance or space and place. Under the rubric of performance, Verbund, funded by the German power company of the same name, has gathered a substantial block of early Cindy Sherman, along with works by Valerie Export, Birgit Jürgenssen, Francesca Woodman, Sarah Lucas, Urs Lüthi, Gilbert and George and Gillian Wearing. Under the rubric of "spaces/places," holdings range from the works of Gordon Matta-Clark, which intervene in existing architectural structures, through Fred Sandback's Minimalist drawings in thread, to the organically formed objects of Ernest Neto, and include Louise Lawler, Bernd and Hilla Becher, Jeff Wall, Teresa Hubbard and Alexander Birchler, Simon Starling, Janet Cardiff and George Bures Miller, Gabriel Orozco and Loan Nguyen.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 9.25 x 11 in. / 392 pgs / 500 color.

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Catalog: FALL 2007 p. 138   

PRODUCT DETAILS
ISBN 9783775719537 TRADE
List Price: $50.00 CAD $60.00

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STATUS: Out of print | 11/28/2010

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Gabriel OrozcoGabriel Orozco

Published by Turner/A&R Press/Conaculta-INBA.
Text by Yve-Alain Bois, Benjamin H.D. Buchloh, Briony Fer.

The work of Gabriel Orozco is an exemplary adventure of ideas and objects. Always generously implicating the spectator, Orozco draws on a large material repertoire to produce quiet shifts in commonplace scenarios. This book, published to coincide with Orozco's exhibition at the Museo del Palacio de Bellas Artes in Mexico City, is the first substantial monograph on the artist, and testifies to the range of his investigations, from tiny adjustments in everyday locations (such as breath on a piano or reflections in a puddle) to more recent preoccupations with spherical forms in collage and paint. In an extensive interview with Briony Fer, the artist explains some of the conceptual premises of his art. Benjamin H.D. Buchloh situates Orozco´s various sculptural practices within twentieth-century precedents and the climate of postwar consumerism and assesses them as manifestations of a shift in object-subject relations. And Yves-Alain Bois explores Orozco's recent "return" to painting, considering the structural logic of his canvases, in which Orozco deploys self-imposed rules to plot compositions (or "diagrams," as he describes them). With insightful texts and hundreds of illustrations, this big, bold, 360-page book is the definitive work to date on one of the most influential contemporary artists.

PUBLISHER
Turner/A&R Press/Conaculta-INBA

BOOK FORMAT
Hardcover, 11.5 x 12.25 in. / 360 pgs / 700 color.

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Catalog: FALL 2007 p. 74   

PRODUCT DETAILS
ISBN 9789689056065 TRADE
List Price: $90.00 CAD $110.00

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STATUS: Out of print | 5/26/2013

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BonnardBonnard

Published by Ludion.
Essays by Yve-Alain Bois, Sarah Whitfield and Georges Rocque.

Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with constant reinvention. Although for Bonnard the subject was always important, his work navigates a sophisticated dialectic between the givens of perception and memory, between the image before our eyes and all that it suggests. This substantial reference includes work from the Hermitage and the Museum of Modern Art of the City of Paris, which sponsored its publication. Contributors include Yve-Alain Bois, Sarah Whitfield, and Georges Roque. Photographs from Dina Verny and Henri Cartier-Bresson among others document the era and Bonnard's models as he saw them.

PUBLISHER
Ludion

BOOK FORMAT
Clothbound, 8.75 x 10.5 in. / 400 pgs.

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Pub Date
No longer our product

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Catalog: SPRING 2006 p. 5   

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ISBN 9789055446049 TRADE
List Price: $60.00 CAD $70.00

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Fred Sandback: Being in a PlaceFred Sandback: Being in a Place

Published by Hatje Cantz.
Edited by Friedemann Malsch and Christiane Meyer-Stoll. Essays by Yve-Alain Bois and Thierry Davila.

As a student at Yale, Fred Sandback struggled with sculpture until George Sugarmann told him "if you are so sick of the parts, why not just make a line with a ball of string and be done with it." For the rest of his career, Sandback used taut and resonant strings to sculpt space and light. Ephemeral and site-specific, his Minimalist sculptures, familiar to visitors to Dia:Beacon among other museums, use colorful acrylic yarn strung between the ceiling and floor or into the corners of an exhibition space to interrupt and delineate space, refer to drawing, evoke volume, create magical boundaries that beg to be traversed, and give the viewer occasion to pause and consider. His clusters of lines can seem to create walls or doors, or make the space reverberate like the body of an instrument whose strings have just been plucked. The artist himself called them "pedestrian spaces" by which he meant to describe both the viewer as a passerby and his art as an everyday thing. Following his death, his remaining works feel less pedestrian, less everyday, more precious and more ephemeral, each irreplacable one ready, as many have, to revert to a tangle of threads.

PUBLISHER
Hatje Cantz

BOOK FORMAT
Hardcover, 8 x 10 in. / 296 pgs / 24 color / 120 bw.

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Catalog: SPRING 2006 p. 106   

PRODUCT DETAILS
ISBN 9783775717205 TRADE
List Price: $55.00 CAD $65.00

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STATUS: Out of print | 11/28/2010

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Ed Ruscha: Catalogue Raisonné of the Paintings, Volume OneEd Ruscha: Catalogue Raisonné of the Paintings, Volume One

1958-1970

Published by Steidl.
Essays by Yve-Alain Bois and Walter Hopps.

Switching to a career in fine art from his dream of becoming a commercial artist, Ed Ruscha first came into prominence in the early 60s with his large word paintings and paintings of commercial icons, such as Twentieth Century Fox and Standard Station, that related in manner and style to the nascent Pop art movement. Drawing on a variety of sources that also included his own drawings, prints and artist's books, Ruscha was often associated with the west coast cool style, but ultimately his work confounded the art world with its sly and elusive sense of deadpan humor, as seen in his series of bird paintings and in the liquid word paintings that rounded out the decade. The Edward Ruscha Catalogue Raisonné of Paintings is a five-volume series under the general editorship of the Gagosian Gallery, and is a co-publication between Gagosian Gallery and Steidl Verlag. Volume One contains 137 paintings printed in full color from Ruscha's student period to the Pop- and Conceptual-inflected word paintings of the 60s. The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as an appreciation by former Menil Collection director Walter Hopps and an essay exploring Ruscha's pioneering use of language as a subject matter by art historian Yve-Alain Bois of Harvard University.
Set in Franklin Book type and printed on acid-free, 170-gram Job Parilux paper, each volume of the catalogue has a stitched binding and a cloth cover with silver-colored embossing protected by an embossed slipcase. Specifications for subsequent volumes are the same. All reproductions were converted to digital form, thanks to which process it has been possible to restore the reproductions of long-lost paintings.

PUBLISHER
Steidl

BOOK FORMAT
Clothbound, 9.5 x 11.5 in. / 469 pgs / 161 color / 10 bw.

PUBLISHING STATUS
Pub Date
Out of stock indefinitely

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Catalog: SPRING 2004

PRODUCT DETAILS
ISBN 9783882439724 TRADE
List Price: $200.00 CAD $270.00

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STATUS: Out of stock indefinitely.

Ellsworth Kelly: Tablet 1948-1973

Published by The Drawing Center.
Edited by Catherine de Zegher. Introduction by Yve-Alain Bois and Yves Aupetitallot.

The art world has a longstanding respect for and fascination with artists' sketchbooks. It is within those pages that we get true insight into process--the labor and intensity that constitute a work of art. In the 1960s, this interest in exploration flourished and established drawing as an art form in and of itself. This exhibition catalogue for Kelly's recent show of drawings contains selections from over 20 years of the artist's notebooks including sketches made on magazine advertisements, newspaper clippings, maps, Sno-Cone wrappers, and telegrams. Tablet reveals an artist usually associated with monochromatic forms to be vitally, and sometimes even hilariously, engaged in the everyday world.

PUBLISHER
The Drawing Center

BOOK FORMAT
Hardcover, 13 x 9.75 in. / 208 pgs / 188 color

PUBLISHING STATUS
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Out of print

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Catalog: SPRING 2005 p. 146   

PRODUCT DETAILS
ISBN 9780942324174 TRADE
List Price: $50.00 CAD $60.00

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Not available

STATUS: Out of print | 6/1/2005

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