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LudionBOOK FORMAT
Clothbound, 8.75 x 10.5 in. / 400 pgs. PUBLISHING STATUS
Pub Date 4/1/2006
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2006 p. 5 PRODUCT DETAILS
ISBN 9789055446049 TRADE
List Price: $60.00 CAD $70.00 AVAILABILITY
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| | | LUDIONBonnardEssays by Yve-Alain Bois, Sarah Whitfield and Georges Rocque.
Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with constant reinvention. Although for Bonnard the subject was always important, his work navigates a sophisticated dialectic between the givens of perception and memory, between the image before our eyes and all that it suggests. This substantial reference includes work from the Hermitage and the Museum of Modern Art of the City of Paris, which sponsored its publication. Contributors include Yve-Alain Bois, Sarah Whitfield, and Georges Roque. Photographs from Dina Verny and Henri Cartier-Bresson among others document the era and Bonnard's models as he saw them.
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FORMAT: Clothbound, 8.75 x 10.5 in. / 400 pgs.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9789055446049
PUBLISHER: Ludion
AVAILABLE: 4/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2006 Page 5 | PRESS INQUIRIES
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| Bonnard Published by Ludion.
Essays by Yve-Alain Bois, Sarah Whitfield and Georges Rocque. Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with constant reinvention. Although for Bonnard the subject was always important, his work navigates a sophisticated dialectic between the givens of perception and memory, between the image before our eyes and all that it suggests. This substantial reference includes work from the Hermitage and the Museum of Modern Art of the City of Paris, which sponsored its publication. Contributors include Yve-Alain Bois, Sarah Whitfield, and Georges Roque. Photographs from Dina Verny and Henri Cartier-Bresson among others document the era and Bonnard's models as he saw them.
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