ARTBOOK BLOG

RECENT POSTS

DATE 1/14/2025

Join us at the Atlanta Gift & Home Winter Market 2025

DATE 1/2/2025

Wishing You the Beauty of the Mysterious

DATE 12/31/2024

Happy New Year from Artbook | D.A.P.

DATE 12/26/2024

An ode to holiday pleasures

DATE 12/24/2024

Happy Holidays from Artbook | D.A.P.

DATE 12/18/2024

BMCM+AC presents David Silver on 'The Farm at Black Mountain College'

DATE 12/17/2024

Good news for open minds

DATE 12/14/2024

A fascinating new study of Helen Frankenthaler & Co.

DATE 12/12/2024

Donlon Books presents the London launch of 'More Than the Eyes: Art, Food and the Senses'

DATE 12/12/2024

A fresh new take on Black Mountain College

DATE 12/8/2024

The Primary Essentials presents a book signing with JJ Manford

DATE 12/8/2024

‘Larry Sultan & Mike Mandel: Evidence’ is back in print at last!

DATE 12/7/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Chloe Sherman on 'Renegades San Francisco: The 1990s'


IMAGE GALLERY

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from
CORY REYNOLDS | DATE 1/12/2022

Romance and magic, decadence and ruins in 'Francesca Woodman: Alternate Stories'

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from Francesca Woodman: Alternate Stories, the new release from Marian Goodman Gallery containing both classic and previously unseen photographs and archival materials by the remarkable and ever-more influential American photographer who took her own life in 1981—at just twenty-two years of age. Chris Kraus writes: "Francesca Woodman’s work was the result of a headlong romance with the magical properties of analog photography: a magic created, as most magic is, through a series of very deliberate steps and constant study." Kraus cites Giuseppe Casetti, co-owner of Maldoror, the anarchist bookstore where Woodman hung out when living and studying in Rome: "She was never distracted; every moment of Francesca’s life was in preparation for a photograph. She was always thinking about her work… She was like a machine: she could be inspired by anything she looked at, or she could figure out how to make it useful from a creative point of view… She didn’t love ordinary things, but she loved decadence, the ruined object, vestiges of the past."

IMAGE CREDIT: Francesca Woodman. A waltz in three parts, Providence, Rhode Island, 1975-1978. Vintage gelatin silver print. © Woodman Family Foundation / ARS, New York

Francesca Woodman: Alternate Stories

Francesca Woodman: Alternate Stories

Marian Goodman Gallery
Hbk, 8.75 x 11.25 in. / 88 pgs / 1 color / 55 b&w.





This week, we gather!

DATE 11/28/2024

This week, we gather!

Photorealism lives!

DATE 11/24/2024

Photorealism lives!

Know your propaganda!

DATE 11/11/2024

Know your propaganda!

Halloween reading

DATE 10/31/2024

Halloween reading

Denim deep dive

DATE 10/27/2024

Denim deep dive

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!