ARTBOOK BLOG

RECENT POSTS

DATE 12/5/2024

The Primary Essentials x Artbook Pop Up

DATE 11/21/2024

NYPL Jefferson Market presents Neal Slavin with Kevin Moore on 'When Two or More Are Gathered Together'

DATE 11/16/2024

Kaleidoscopic and dynamic, Orphism comes to the Guggenheim

DATE 11/13/2024

From Belly Dancers to Bingo Enthusiasts

DATE 11/11/2024

Know your propaganda!

DATE 11/9/2024

Yumna Al-Arashi pays poetic tribute to her great-grandmother and an ancient tattooing practice

DATE 11/7/2024

Long before social media, Sophie Calle fearlessly overshared

DATE 11/6/2024

Holiday Gift Guide 2024: For the Lover of Letters

DATE 11/6/2024

A shudder of American self-recognition in 'Omen'

DATE 11/5/2024

Holiday Gift Guide 2024: Where Form Meets Function

DATE 11/3/2024

Holiday Gift Guide 2024: For the Film Buff

DATE 11/2/2024

Holiday Gift Guide 2024: Artful Crowd-Pleasers

DATE 11/1/2024

Holiday Gift Guide 2024: Stuff that Stocking


IMAGE GALLERY

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from
CORY REYNOLDS | DATE 1/12/2022

Romance and magic, decadence and ruins in 'Francesca Woodman: Alternate Stories'

"A waltz in three parts," Providence, Rhode Island, (1975–1978) is reproduced from Francesca Woodman: Alternate Stories, the new release from Marian Goodman Gallery containing both classic and previously unseen photographs and archival materials by the remarkable and ever-more influential American photographer who took her own life in 1981—at just twenty-two years of age. Chris Kraus writes: "Francesca Woodman’s work was the result of a headlong romance with the magical properties of analog photography: a magic created, as most magic is, through a series of very deliberate steps and constant study." Kraus cites Giuseppe Casetti, co-owner of Maldoror, the anarchist bookstore where Woodman hung out when living and studying in Rome: "She was never distracted; every moment of Francesca’s life was in preparation for a photograph. She was always thinking about her work… She was like a machine: she could be inspired by anything she looked at, or she could figure out how to make it useful from a creative point of view… She didn’t love ordinary things, but she loved decadence, the ruined object, vestiges of the past."

IMAGE CREDIT: Francesca Woodman. A waltz in three parts, Providence, Rhode Island, 1975-1978. Vintage gelatin silver print. © Woodman Family Foundation / ARS, New York

Francesca Woodman: Alternate Stories

Francesca Woodman: Alternate Stories

Marian Goodman Gallery
Hbk, 8.75 x 11.25 in. / 88 pgs / 1 color / 55 b&w.





Know your propaganda!

DATE 11/11/2024

Know your propaganda!

Halloween reading

DATE 10/31/2024

Halloween reading

Denim deep dive

DATE 10/27/2024

Denim deep dive

Photorealism lives!

DATE 10/24/2024

Photorealism lives!

Heads up on 4/20!

DATE 4/20/2024

Heads up on 4/20!