A visual history of the 18th-century rhinoceros and her unusual life as cultural icon and captive creature
In 1741 a ship arrived in the Netherlands carrying a miraculous animal that few people in Europe had seen before: a young female rhinoceros from India named Clara. For 17 years, Clara traveled with her owner Douwe Mout through almost every country in Europe. Wherever she appeared, she made a sensation, becoming the most famous rhino in European history. Artists such as Jan Wandelaar, Johann Elias Ridinger, Petrus Camper, Georges-Louis Leclerc, Comte de Buffon and Pietro Longhi immortalized her in paintings, drawings, sculptures and medals; she even influenced fashion; and she permanently corrected the false image of a rhinoceros perpetuated by Dürer in his famous 1515 engraving. Based on new research, Gijs van der Ham, a former senior curator at the Rijksmuseum, reconstructs her life, travels and captivity, and unravels her influence on the iconography and knowledge of rhinoceroses.
in stock $40.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Pbk, 6 x 8.25 in. / 208 pgs / 70 color. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $55 ISBN: 9789462087477 PUBLISHER: nai010 publishers AVAILABLE: 1/17/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME
Published by nai010 publishers. By Gijs van der Ham.
A visual history of the 18th-century rhinoceros and her unusual life as cultural icon and captive creature
In 1741 a ship arrived in the Netherlands carrying a miraculous animal that few people in Europe had seen before: a young female rhinoceros from India named Clara. For 17 years, Clara traveled with her owner Douwe Mout through almost every country in Europe. Wherever she appeared, she made a sensation, becoming the most famous rhino in European history. Artists such as Jan Wandelaar, Johann Elias Ridinger, Petrus Camper, Georges-Louis Leclerc, Comte de Buffon and Pietro Longhi immortalized her in paintings, drawings, sculptures and medals; she even influenced fashion; and she permanently corrected the false image of a rhinoceros perpetuated by Dürer in his famous 1515 engraving.
Based on new research, Gijs van der Ham, a former senior curator at the Rijksmuseum, reconstructs her life, travels and captivity, and unravels her influence on the iconography and knowledge of rhinoceroses.