Francesco Clemente: Watchtowers, Keys, Threads, Gates
Edited by Peter Doroshenko. Conversation with Francesco Clemente.
On an immersive, multi-authored installation led by Clemente at Dallas Contemporary
This book documents a 2019 installation by Francesco Clemente (born 1952) at Dallas Contemporary, consisting of a mural realized with three Oaxacan artists and two series of large-scale sculptures made with Indian artisans. The site-specific fresco consists of new zodiac signs invented by the artist, including a diver and two snails opposing one another, embellished with sepia-toned waves. For Clemente, these personal zodiac signs serve as symbols of gates, serving perhaps as pathways to spiritual realms or alternate realities. His mixed-media sculptures also feature charged symbols of liminality such as ladders, labyrinths, gates, doors and keys. These recent works reflect Clemente’s ongoing exploration of spirituality, mythological narratives and symbolism through surreal, quasi-religious content. The overall dreamlike atmosphere produced by this large-scale installation is firmly in keeping with Clemente’s uncanny and fantastic imaginary.
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FORMAT: Hbk, 6 x 9.75 in. / 96 pgs / 40 color. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $39.95 ISBN: 9788867494132 PUBLISHER: Mousse Publishing AVAILABLE: 9/7/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA AU/NZ AFR ME
Francesco Clemente: Watchtowers, Keys, Threads, Gates
Published by Mousse Publishing. Edited by Peter Doroshenko. Conversation with Francesco Clemente.
On an immersive, multi-authored installation led by Clemente at Dallas Contemporary
This book documents a 2019 installation by Francesco Clemente (born 1952) at Dallas Contemporary, consisting of a mural realized with three Oaxacan artists and two series of large-scale sculptures made with Indian artisans. The site-specific fresco consists of new zodiac signs invented by the artist, including a diver and two snails opposing one another, embellished with sepia-toned waves.
For Clemente, these personal zodiac signs serve as symbols of gates, serving perhaps as pathways to spiritual realms or alternate realities. His mixed-media sculptures also feature charged symbols of liminality such as ladders, labyrinths, gates, doors and keys.
These recent works reflect Clemente’s ongoing exploration of spirituality, mythological narratives and symbolism through surreal, quasi-religious content. The overall dreamlike atmosphere produced by this large-scale installation is firmly in keeping with Clemente’s uncanny and fantastic imaginary.
