| | BOOK FORMAT
Clth, 10.5 x 12.75 in. / 184 pgs / 73 color. PUBLISHING STATUS
Pub Date 2/16/2021
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2021 p. 47 PRODUCT DETAILS
ISBN 9788862087254 TRADE
List Price: $90.00 CAD $126.00 AVAILABILITY
Not available | TERRITORY
NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Erik Madigan Heck: The GardenText by Leanne Shapton.
 A sumptuous clothbound portrayal of a family in Edenic reverieIn The Garden, American photographer Erik Madigan Heck (born 1983) portrays his wife and two young sons in a variety of richly colorful surrounds. The photographs draw upon Catholic iconography and other mythic pictorial traditions to develop a color-based narrative evocative of spiritual archetypes and the processes of dissolution and rebirth.
The series moves through a singular world—a fairy tale in which figures and settings become tableaux for hyper-concentrated tonal arrangements. Images are composited and oversaturated to create painterly and surreal compositions in which the familiar and fantastic are merged. Completing its aesthetic fantasy through lavish clothes, gestures of dreamlike poignancy and an Edenic environment, The Garden expresses the supramundane innocence and spontaneity that art makes possible—a life lived in the direct, immediate experience of beauty. Shot predominantly at the family’s home in New England, the series initially elicits comparisons with other contemporary photography confronting family life, such as Sally Mann’s Immediate Family or the work of Elinor Carucci. But although the subjects of Heck’s photographs are ostensibly his family, The Garden's real subject matter is color and the aesthetic possibilities of photography to create what it captures.
Featured image is reproduced from ‘Erik Madigan Heck: The Garden'.PRAISE AND REVIEWSGQ Colin Groundwater Vibrant, stylized colors..[comparable] to a fairy tale... |
|  | STATUS: Out of stock indefinitely. | |
| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 2/23/2021 Tuesday, February 23 from 6–7PM, ICP & Damiani Books present a conversation between internationally acclaimed fashion photographer Erik Madigan Heck and New Yorker writer and curator Vince Aletti on the occasion of Heck’s newest publication, The Garden. Inspired by Catholic iconography and other mythic pictorial traditions, The Garden is an ongoing body of work depicting Heck’s wife and two young sons in a variety of richly colorful surrounds.
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FORMAT: Clth, 10.5 x 12.75 in. / 184 pgs / 73 color.
LIST PRICE: U.S. $90.00
LIST PRICE: CANADA $126
ISBN: 9788862087254
PUBLISHER: Damiani
AVAILABLE: 2/16/2021
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2021 Page 47 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
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| Erik Madigan Heck: The Garden Published by Damiani.
Text by Leanne Shapton. A sumptuous clothbound portrayal of a family in Edenic reverie In The Garden, American photographer Erik Madigan Heck (born 1983) portrays his wife and two young sons in a variety of richly colorful surrounds. The photographs draw upon Catholic iconography and other mythic pictorial traditions to develop a color-based narrative evocative of spiritual archetypes and the processes of dissolution and rebirth.
The series moves through a singular world—a fairy tale in which figures and settings become tableaux for hyper-concentrated tonal arrangements. Images are composited and oversaturated to create painterly and surreal compositions in which the familiar and fantastic are merged. Completing its aesthetic fantasy through lavish clothes, gestures of dreamlike poignancy and an Edenic environment, The Garden expresses the supramundane innocence and spontaneity that art makes possible—a life lived in the direct, immediate experience of beauty. Shot predominantly at the family’s home in New England, the series initially elicits comparisons with other contemporary photography confronting family life, such as Sally Mann’s Immediate Family or the work of Elinor Carucci. But although the subjects of Heck’s photographs are ostensibly his family, The Garden's real subject matter is color and the aesthetic possibilities of photography to create what it captures.
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