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| | BOOK FORMAT Hardback, 9.5 x 12.5 in. / 144 pgs / 100 color. PUBLISHING STATUS Pub Date 5/1/2008 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 77 PRODUCT DETAILS ISBN 9788862080217 TRADE List Price: $50.00 CAD $60.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Wangechi Mutu: A Shady PromiseEdited by Douglas Singleton. Text by Isolde Brielmaier, Michael Veal, Malik Gaines.
“Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body,” states Kenyan-born, New York-based artist Wangechi Mutu, the subject of this highly anticipated first monograph. In recent years Mutu’s work has become increasingly sought-after in the international art world, making high-profile appearances at the important art fairs and auctions. What makes her interesting, however, is her fierce and contemporary use of the well-worn medium of collage. Mutu deals with female and cultural identity in large-scale figurative pieces constructed from found and drawn imagery. Her figures are freakish and erotic hybrids of the primitive, contemporary and post-human. These sometimes garish, diseased, ravaged and distorted figures are made from seductive or silly materials like glossy fashion magazine pictures, glitter or fun fur. They refer to colonial history, contemporary African politics, the history of art and fashion--in often quite irreverent ways. Mutu’s own diverse history--she has studied both anthropology and sculpture and has lived in Nairobi, Wales, New York and New Haven, where she received her MFA from Yale University in 2001--seems a likely source for her manifold concerns. This volume surveys Mutu’s work to date.
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| | Snoeck Publishers, GhentISBN: 9789053494431 USD $50.00 | CAD $60Pub Date: 3/2/2004 No longer our product | Not available
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| | | DelMonico Books/Fine Arts Museums of San FranciscoISBN: 9781636810058 USD $45.00 | CAD $61 UK £ 35Pub Date: 11/2/2021 Active | In stock
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FORMAT: Hardback, 9.5 x 12.5 in. / 144 pgs / 100 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9788862080217 PUBLISHER: Damiani AVAILABLE: 5/1/2008 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2008 Page 77 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Wangechi Mutu: A Shady Promise Published by Damiani. Edited by Douglas Singleton. Text by Isolde Brielmaier, Michael Veal, Malik Gaines. “Females carry the marks, language and nuances of their culture more than the male. Anything that is desired or despised is always placed on the female body,” states Kenyan-born, New York-based artist Wangechi Mutu, the subject of this highly anticipated first monograph. In recent years Mutu’s work has become increasingly sought-after in the international art world, making high-profile appearances at the important art fairs and auctions. What makes her interesting, however, is her fierce and contemporary use of the well-worn medium of collage. Mutu deals with female and cultural identity in large-scale figurative pieces constructed from found and drawn imagery. Her figures are freakish and erotic hybrids of the primitive, contemporary and post-human. These sometimes garish, diseased, ravaged and distorted figures are made from seductive or silly materials like glossy fashion magazine pictures, glitter or fun fur. They refer to colonial history, contemporary African politics, the history of art and fashion--in often quite irreverent ways. Mutu’s own diverse history--she has studied both anthropology and sculpture and has lived in Nairobi, Wales, New York and New Haven, where she received her MFA from Yale University in 2001--seems a likely source for her manifold concerns. This volume surveys Mutu’s work to date.
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