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PUBLISHER
Skira

BOOK FORMAT
Hardcover, 9.5 x 11.5 in. / 88 pgs / 52 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 17   

PRODUCT DETAILS
ISBN 9788857250939 TRADE
List Price: $45.00 CAD $65.00

AVAILABILITY
In stock

TERRITORY
NA LA

EXHIBITION SCHEDULE

Elmhurst, IL
Elmhurst Art Museum, 11/09/23–01/07/24

Oklahoma City, OK
Oklahoma City Museum of Art, 08/24/24–01/05/25

Vero Beach, FL
Vero Beach Museum of Art, 10/25–12/25

Lafayette, LA
Hilliard Art Museum, University of Louisiana at Lafayette, 02/01/25–04/26/25

Rochester, NY
Memorial Art Gallery, University of Rochester , 03/26–05/26

Conway, AR
Windgate Museum of Art, Hendrix College, 09/04/26–12/12/26

Huntington, WV
Huntington Museum of Art, 06/19/27–09/12/27

THE FALL 2024 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

SKIRA

Picasso and the Progressive Proof

Linocut Prints from a Private Collection

By Richard P. Townsend.

Picasso and the Progressive Proof

A deep dive into Picasso’s engagement with one of printmaking’s most fascinating and demanding mediums: the linocut

While there has been considerable interest in the later work of Pablo Picasso over the past several decades, there remains much to discover regarding his prodigious printmaking activities, specifically on the role played by the progressive proof. There has been an uptick in research and acquisition of these sets of proofs by museums and private collectors over the past 20 years, but exhibitions and publications have lagged behind.
On the occasion of the 50th anniversary of the death of Pablo Picasso (1881–1973), one of the towering creative figures of the 20th century, Picasso and the Progressive Proof: Linocut Prints from a Private Collection explores in depth an aspect of the artist’s late graphic output: the linoleum block or linocut. Published prints and their related proofs drawn from a notable private collection are examined in the context of themes Picasso developed over his entire career: the Spanish-born artist’s love of the corrida or bullfight; his interest in Antiquity; and above all, his competition with the Old Masters.


Picasso and the Progressive Proof

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