| | BOOK FORMAT Clth, 7.75 x 11.5 in. / 168 pgs / 106 color. PUBLISHING STATUS Pub Date 10/15/2024 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2024 p. 62 PRODUCT DETAILS ISBN 9788836657827 TRADE List Price: $50.00 CAD $71.00 AVAILABILITY In stock | TERRITORY NA LA ASIA AU/NZ AFR ME | EXHIBITION SCHEDULELugano, Switzerland MASI Lugano, 05/05/24–10/06/24 | | THE SPRING 2025 ARTBOOK | D.A.P. CATALOG  | Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Calder: Sculpting TimeEdited by Carmen Gimenez, Ana Mingot.
 A wide-ranging selection of works from Calder’s most prolific period highlights the role of time in his groundbreaking sculptural practiceFrancisco Goya claimed in 1801 that “time also paints.” More than 200 years later, this quote, now turned maxim, could refer to the way in which time modifies how we relate to art. A more conceptual interpretation could also be held where time itself is the medium. Taken in this last interpretation, few artists have understood this notion better than Alexander Calder. Sculpting Time explores time as a medium in Calder’s work: both as an integral part of his kinetic sculpture and as an external factor vis-à-vis the grand developments of the 20th century. This is best exemplified in his earliest sphériques as well as the Constellations (a term coined by Marcel Duchamp and James Johnson Sweeney in 1943) he created out of wood and wire during World War II, when sheet metal was not available. By introducing motion into a static art form, Calder implies the passage of time; thus, time also sculpts. This handsome clothbound volume, printed on Tatami paper, is filled with contemporary images of works from the 1930s to the 1970s, as well as archival photographs of Calder’s studio. Alexander Calder (1898–1976) moved to Paris in the late 1920s, where he found himself at the center of the city’s artistic avant-garde. In 1930, he invented the mobile—an abstract sculpture made of independent parts that incorporate natural or mechanical movement. He would continue to explore the possibilities of this visual language for the rest of his career, eventually shifting to monumental constructions and public works.
PRAISE AND REVIEWSThe New York Times Book Review An elegant survey of the sculptures of the American modernist and fixture in the Parisian avant-garde of the 1920s and '30s, this book reflects on Calder's use of time as an artistic 'medium,' his 'spheriques,' mobiles and 'constellations,' all appearing at once kinetic and suspended in space and time. Air Mail Elena Clavarino [This book] pays homage to Alexander Calder’s kinetic sculptures with a selection of works from the American artist’s most prolific period. |
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