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| | BOOK FORMAT
Clth, 7.75 x 11.5 in. / 168 pgs / 106 color. PUBLISHING STATUS
Pub Date 10/15/2024
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Catalog: FALL 2024 p. 62 PRODUCT DETAILS
ISBN 9788836657827 TRADE
List Price: $50.00 CAD $71.00 AVAILABILITY
In stock | TERRITORY
NA LA ASIA AU/NZ AFR ME | EXHIBITION SCHEDULELugano, Switzerland
MASI Lugano, 05/05/24–10/06/24 | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Calder: Sculpting TimeEdited by Carmen Gimenez, Ana Mingot.
 A wide-ranging selection of works from Calder’s most prolific period highlights the role of time in his groundbreaking sculptural practiceFrancisco Goya claimed in 1801 that “time also paints.” More than 200 years later, this quote, now turned maxim, could refer to the way in which time modifies how we relate to art. A more conceptual interpretation could also be held where time itself is the medium. Taken in this last interpretation, few artists have understood this notion better than Alexander Calder.
Sculpting Time explores time as a medium in Calder’s work: both as an integral part of his kinetic sculpture and as an external factor vis-à-vis the grand developments of the 20th century. This is best exemplified in his earliest sphériques as well as the Constellations (a term coined by Marcel Duchamp and James Johnson Sweeney in 1943) he created out of wood and wire during World War II, when sheet metal was not available. By introducing motion into a static art form, Calder implies the passage of time; thus, time also sculpts. This handsome clothbound volume, printed on Tatami paper, is filled with contemporary images of works from the 1930s to the 1970s, as well as archival photographs of Calder’s studio.
Alexander Calder (1898–1976) moved to Paris in the late 1920s, where he found himself at the center of the city’s artistic avant-garde. In 1930, he invented the mobile—an abstract sculpture made of independent parts that incorporate natural or mechanical movement. He would continue to explore the possibilities of this visual language for the rest of his career, eventually shifting to monumental constructions and public works.
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| | | |  | Pace PublishingISBN: 9781948701549
USD $50.00 | CAD $71 UK £ 45Pub Date: 9/17/2024
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|  | Silvana EditorialeISBN: 9788836657827
USD $50.00 | CAD $71Pub Date: 10/15/2024
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|  | Cahiers d'ArtISBN: 9782851173188
USD $120.00 | CAD $180Pub Date: 6/3/2025
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USD $45.00 | CAD $63Pub Date: 3/2/2021
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|  | Pace PublishingISBN: 9781948701259
USD $70.00 | CAD $98 UK £ 62Pub Date: 6/2/2020
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|  | Hauser & Wirth PublishersISBN: 9783906915364
USD $50.00 | CAD $69.95Pub Date: 7/23/2019
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|  | Hauser & Wirth PublishersISBN: 9783906915258
USD $40.00 | CAD $62Pub Date: 9/25/2018
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|  | Hauser & Wirth PublishersISBN: 9783906915036
USD $50.00 | CAD $67.5Pub Date: 1/23/2018
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|  | Hatje CantzISBN: 9783775741279
USD $85.00 | CAD $112.5Pub Date: 8/23/2016
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|  | Dominique LévyISBN: 9780986060656
USD $60.00 | CAD $79 UK £ 53Pub Date: 7/26/2016
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|  | Hatje CantzISBN: 9783775740524
USD $95.00 | CAD $127.5Pub Date: 2/23/2016
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|  | Cahiers d'ArtISBN: 9782851171818
USD $80.00 | CAD $110Pub Date: 10/20/2015
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|  | Cahiers d'Art/Calder FoundationISBN: 9782851171016
USD $90.00 | CAD $128Pub Date: 10/21/2014
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FORMAT: Clth, 7.75 x 11.5 in. / 168 pgs / 106 color.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $71
ISBN: 9788836657827
PUBLISHER: Silvana Editoriale
AVAILABLE: 10/15/2024
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2024 Page 62 | PRESS INQUIRIES
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| Calder: Sculpting Time Published by Silvana Editoriale.
Edited by Carmen Gimenez, Ana Mingot. A wide-ranging selection of works from Calder’s most prolific period highlights the role of time in his groundbreaking sculptural practice Francisco Goya claimed in 1801 that “time also paints.” More than 200 years later, this quote, now turned maxim, could refer to the way in which time modifies how we relate to art. A more conceptual interpretation could also be held where time itself is the medium. Taken in this last interpretation, few artists have understood this notion better than Alexander Calder.
Sculpting Time explores time as a medium in Calder’s work: both as an integral part of his kinetic sculpture and as an external factor vis-à-vis the grand developments of the 20th century. This is best exemplified in his earliest sphériques as well as the Constellations (a term coined by Marcel Duchamp and James Johnson Sweeney in 1943) he created out of wood and wire during World War II, when sheet metal was not available. By introducing motion into a static art form, Calder implies the passage of time; thus, time also sculpts. This handsome clothbound volume, printed on Tatami paper, is filled with contemporary images of works from the 1930s to the 1970s, as well as archival photographs of Calder’s studio.
Alexander Calder (1898–1976) moved to Paris in the late 1920s, where he found himself at the center of the city’s artistic avant-garde. In 1930, he invented the mobile—an abstract sculpture made of independent parts that incorporate natural or mechanical movement. He would continue to explore the possibilities of this visual language for the rest of his career, eventually shifting to monumental constructions and public works.
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