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Clth, 6.75 x 9.5 in. / 208 pgs / 100 color. PUBLISHING STATUS
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| | | Robert Morris: Monumentum 2015–2018Edited by Saretto Cincinelli.
On Robert Morris’ final sculptural works, which express a shift toward more baroque and allegorical elementsDocumenting the first exhibition dedicated to American conceptualist Robert Morris (1931-2018) since his death, Monumentum 2015-2018 presents a series of works produced in the final years of the artist’s life.
Both series are comprised of sculptures depicting human figures: the first, MOLTINGSEXOSKELETONSSHROUDS, are made of Belgian linen soaked in resin and placed over models to take on their form; the second series, Boustrophedons, consists of works rendered in carbon fiber, and were exhibited respectively in 2015 and 2017 at the Castelli Gallery in New York. The spatial design of the two series as they were exhibited at the Galleria Nazionale of Rome was agreed with Morris himself before his death.
Morris’ last sculptural works mark a shift in his formal vocabulary, free from the imperatives of order and abstraction typical of the American avant-garde of his time.
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| | | |  | Mousse PublishingISBN: 9788867494088
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|  | Silvana EditorialeISBN: 9788836645282
USD $35.00 | CAD $49Pub Date: 10/6/2020
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|  | Spector BooksISBN: 9783940064394
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FORMAT: Clth, 6.75 x 9.5 in. / 208 pgs / 100 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $49
ISBN: 9788836645282
PUBLISHER: Silvana Editoriale
AVAILABLE: 10/6/2020
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| Robert Morris: Monumentum 2015–2018 Published by Silvana Editoriale.
Edited by Saretto Cincinelli. On Robert Morris’ final sculptural works, which express a shift toward more baroque and allegorical elements Documenting the first exhibition dedicated to American conceptualist Robert Morris (1931-2018) since his death, Monumentum 2015-2018 presents a series of works produced in the final years of the artist’s life.
Both series are comprised of sculptures depicting human figures: the first, MOLTINGSEXOSKELETONSSHROUDS, are made of Belgian linen soaked in resin and placed over models to take on their form; the second series, Boustrophedons, consists of works rendered in carbon fiber, and were exhibited respectively in 2015 and 2017 at the Castelli Gallery in New York. The spatial design of the two series as they were exhibited at the Galleria Nazionale of Rome was agreed with Morris himself before his death.
Morris’ last sculptural works mark a shift in his formal vocabulary, free from the imperatives of order and abstraction typical of the American avant-garde of his time.
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