| | BOOK FORMAT Clth, 12 x 10 in. / 192 pgs / 64 color / 46 bw. PUBLISHING STATUS Pub Date 3/25/2025 Forthcoming DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2024 p. 139 PRODUCT DETAILS ISBN 9783969993378 TRADE List Price: $65.00 CAD $95.00 AVAILABILITY Awaiting stock | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Mitch Epstein: A Language of New YorkEdited by Susan Bell, Ryan Spencer. Text by Mitch Epstein.
A photographic meditation on what it means to be a New Yorker: an identity that shifts as constantly and as rapidly as the city itselfIn 1995, renowned American photographer Mitch Epstein (born 1952) began making pictures in New York City as it underwent a seismic cultural and physical shift. The gritty neighborhoods and sassy unselfconsciousness of the 1970s, when Epstein had first moved to New York, were disappearing. Signs of the future were encroaching: surveillance cameras, the normalization of gun violence as a virtual reality game in Times Square and Disney’s gentrification of the old theaters and strip clubs on 42nd Street. As a seasoned documentarian of the American landscape and psyche, Epstein set out to photograph the streets and public spaces of New York in this strange liminal space, between past and future. A year into the project, he also began making black-and-white portraits of his inner circle in their homes or workspaces as an intimate counterpoint to his color photographs of street life. A Language of New York examines the city’s recurrent self-cannibalizing into a new upcycled landscape and the urban relationship between public and private. Both gimlet-eyed inquiry and loving homage, it describes an incredibly resilient city prone to cooperation, protest, consumerism and creativity in the extremes.
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| | STATUS: Forthcoming | 3/25/2025 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | | | SteidlISBN: 9783969993361 USD $75.00 | CAD $115Pub Date: 3/25/2025 Forthcoming
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| | SteidlISBN: 9783969993378 USD $65.00 | CAD $95Pub Date: 3/25/2025 Forthcoming
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| | Steidl/PPP EditionsISBN: 9783958296091 USD $75.00 | CAD $105Pub Date: 11/12/2019 Active | In stock
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| | SteidlISBN: 9783958291607 USD $75.00 | CAD $99Pub Date: 2/27/2018 Active | In stock
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| | Steidl Photography InternationalISBN: 9783865219244 USD $75.00 | CAD $99Pub Date: 10/31/2009 Active | Out of stock
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FORMAT: Clth, 12 x 10 in. / 192 pgs / 64 color / 46 b&w. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $95 ISBN: 9783969993378 PUBLISHER: Steidl AVAILABLE: 3/25/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2024 Page 139 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Mitch Epstein: A Language of New York Published by Steidl. Edited by Susan Bell, Ryan Spencer. Text by Mitch Epstein. A photographic meditation on what it means to be a New Yorker: an identity that shifts as constantly and as rapidly as the city itself In 1995, renowned American photographer Mitch Epstein (born 1952) began making pictures in New York City as it underwent a seismic cultural and physical shift. The gritty neighborhoods and sassy unselfconsciousness of the 1970s, when Epstein had first moved to New York, were disappearing. Signs of the future were encroaching: surveillance cameras, the normalization of gun violence as a virtual reality game in Times Square and Disney’s gentrification of the old theaters and strip clubs on 42nd Street. As a seasoned documentarian of the American landscape and psyche, Epstein set out to photograph the streets and public spaces of New York in this strange liminal space, between past and future. A year into the project, he also began making black-and-white portraits of his inner circle in their homes or workspaces as an intimate counterpoint to his color photographs of street life. A Language of New York examines the city’s recurrent self-cannibalizing into a new upcycled landscape and the urban relationship between public and private. Both gimlet-eyed inquiry and loving homage, it describes an incredibly resilient city prone to cooperation, protest, consumerism and creativity in the extremes.
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