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Flexi, 6.25 x 9.25 in. / 176 pgs / 82 color / 15 bw. PUBLISHING STATUS
Pub Date 3/30/2021
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Catalog: SPRING 2021 p. 116 PRODUCT DETAILS
ISBN 9783960988915 FLAT40
List Price: $45.00 CAD $63.00 AVAILABILITY
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| | | John Stezaker: At the Edge of PicturesText by Yuval Etgar.
On the life and work of the British conceptual artist known for his conceptually clear photomontagesAmidst the post-conceptual crisis of the 1970s, British artist John Stezaker (born 1949) chose to neither pursue the agitprop-inspired trends of his British contemporaries nor fully align himself with the Pictures Generation across the pond. Instead he emerged as a singular figure in contemporary photomontage, motivated by a vested interest in reviving the mechanically produced image and exploring its potentials as a medium even as it began to shift out of circulation in favor of alternative modes of image distribution. Stezaker’s pieces employ a limited number of images in combination, often black-and-white studio portraits and landscape photography, creating an effect that is strikingly minimalistic and elegant for the collage medium. This is the first monograph to provide a historical account of Stezaker’s life and career, offering insight into his art in the context of prevailing image appropriation techniques from the 1970s and ’80s.
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FORMAT: Flexi, 6.25 x 9.25 in. / 176 pgs / 82 color / 15 b&w.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $63
ISBN: 9783960988915
PUBLISHER: Walther König, Köln
AVAILABLE: 3/30/2021
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2021 Page 116 | PRESS INQUIRIES
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| John Stezaker: At the Edge of Pictures Published by Walther König, Köln.
Text by Yuval Etgar. On the life and work of the British conceptual artist known for his conceptually clear photomontages Amidst the post-conceptual crisis of the 1970s, British artist John Stezaker (born 1949) chose to neither pursue the agitprop-inspired trends of his British contemporaries nor fully align himself with the Pictures Generation across the pond. Instead he emerged as a singular figure in contemporary photomontage, motivated by a vested interest in reviving the mechanically produced image and exploring its potentials as a medium even as it began to shift out of circulation in favor of alternative modes of image distribution. Stezaker’s pieces employ a limited number of images in combination, often black-and-white studio portraits and landscape photography, creating an effect that is strikingly minimalistic and elegant for the collage medium. This is the first monograph to provide a historical account of Stezaker’s life and career, offering insight into his art in the context of prevailing image appropriation techniques from the 1970s and ’80s.
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