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Clth, 8.25 x 11.5 in. / 312 pgs / 307 color / 11 bw. PUBLISHING STATUS
Pub Date 7/5/2022
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ISBN 9783958298651 TRADE
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| | | Michael Wesely: The Camera Was Present 2010–2020Text by Marvin Heiferman, Wulf Herzogenrath, Felix Hoffmann, Anette Hüsch, Joachim Jäger, Niklas Maak, Jan Maruhn, Sarah Meister, Thomas Weski.
Scenes of “visual archaeology” from the past decade by the author of the acclaimed photobooks Open Shutter and Time WorksFor over three decades, Michael Wesely (born 1963) has created revelatory photographs using large-format lenses on self-made, long-exposure cameras. The resulting exposure times are extraordinary—not merely minutes and hours, but days, months and even years. Familiar objects often become only partially recognizable, opening up new perceptions of time and space. His images seem caught in the processes of both becoming and unraveling; what remains is fragmentary, comparable to the ambiguity of Antonioni’s thriller Blow-Up. Wesely sees his photos as archival excerpts from the present, inviting us to consider them as “visual archaeology” and to imagine our own stories behind their creation. The Camera Was Present celebrates his 20-year collaboration with Galerie Fahnemann and traces the evolution of his photography from 2010 to 2020.
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| | | |  | Hatje CantzISBN: 9783775757911
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|  | Steidl/Galerie Fahnemann, BerlinISBN: 9783958298651
USD $45.00 | CAD $62Pub Date: 7/5/2022
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|  | Hatje CantzISBN: 9783775750332
USD $75.00 | CAD $102Pub Date: 7/13/2021
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FORMAT: Clth, 8.25 x 11.5 in. / 312 pgs / 307 color / 11 b&w.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $62
ISBN: 9783958298651
PUBLISHER: Steidl/Galerie Fahnemann, Berlin
AVAILABLE: 7/5/2022
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2023 Page 24 | PRESS INQUIRIES
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| Michael Wesely: The Camera Was Present 2010–2020 Published by Steidl/Galerie Fahnemann, Berlin.
Text by Marvin Heiferman, Wulf Herzogenrath, Felix Hoffmann, Anette Hüsch, Joachim Jäger, Niklas Maak, Jan Maruhn, Sarah Meister, Thomas Weski. Scenes of “visual archaeology” from the past decade by the author of the acclaimed photobooks Open Shutter and Time Works For over three decades, Michael Wesely (born 1963) has created revelatory photographs using large-format lenses on self-made, long-exposure cameras. The resulting exposure times are extraordinary—not merely minutes and hours, but days, months and even years. Familiar objects often become only partially recognizable, opening up new perceptions of time and space. His images seem caught in the processes of both becoming and unraveling; what remains is fragmentary, comparable to the ambiguity of Antonioni’s thriller Blow-Up. Wesely sees his photos as archival excerpts from the present, inviting us to consider them as “visual archaeology” and to imagine our own stories behind their creation. The Camera Was Present celebrates his 20-year collaboration with Galerie Fahnemann and traces the evolution of his photography from 2010 to 2020.
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