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| | BOOK FORMAT Clth, 9.5 x 10.25 in. / 96 pgs / 48 bw. PUBLISHING STATUS Pub Date 6/24/2025 Forthcoming DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2017 p. 123 PRODUCT DETAILS ISBN 9783958292543 TRADE List Price: $55.00 CAD $77.00 AVAILABILITY Awaiting stock | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Frank Gohlke: Speeding Trucks and Other Follies
The landscapes of ordinary lifeIn the summer of 1971, Frank Gohlke (born 1942) moved with his wife and young daughter from Middlebury, Vermont, to Minneapolis, Minnesota. His vocation as a photographer had begun four years prior, but he had yet to define the subject that would occupy him for the next 45 years: the landscapes of ordinary life.
The three bodies of work brought together in Speeding Trucks and Other Follies were all made between Gohlke’s arrival in Minneapolis and the end of 1972 when he began photographing grain elevators, a project that first established his renown. In different ways these early series obliquely describe Gohlke’s process of adjustment to his new surroundings.
The “Speeding Trucks” photos of the first section began when Gohlke noticed how the shadows of the elm trees that once lined most Minneapolis streets were momentarily materialized on the bodies of passing trucks. The travel trailers in the second section were all found in a Minnesota State Park on one of the family’s infrequent camping trips, while late-night rambles through Gohlke’s Minneapolis neighborhood led organically to his series of dramatic night pictures in the last section. Notwithstanding their various subject matter, Gohlke’s photos in this book collectively perform a kind of timeless alchemy on the everyday stuff of visual experience.
Featured image is reproduced 'Frank Gohlke: Speeding Trucks and Other Follies.' |
| | STATUS: Forthcoming | 6/24/2025 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | | | SteidlISBN: 9783958294981 USD $55.00 | CAD $72.5Pub Date: 6/24/2025 Forthcoming
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| | SteidlISBN: 9783958292543 USD $55.00 | CAD $77Pub Date: 6/24/2025 Forthcoming
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FORMAT: Clth, 9.5 x 10.25 in. / 96 pgs / 48 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $77 ISBN: 9783958292543 PUBLISHER: Steidl AVAILABLE: 6/24/2025 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2017 Page 123 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Frank Gohlke: Speeding Trucks and Other Follies Published by Steidl. The landscapes of ordinary life In the summer of 1971, Frank Gohlke (born 1942) moved with his wife and young daughter from Middlebury, Vermont, to Minneapolis, Minnesota. His vocation as a photographer had begun four years prior, but he had yet to define the subject that would occupy him for the next 45 years: the landscapes of ordinary life.
The three bodies of work brought together in Speeding Trucks and Other Follies were all made between Gohlke’s arrival in Minneapolis and the end of 1972 when he began photographing grain elevators, a project that first established his renown. In different ways these early series obliquely describe Gohlke’s process of adjustment to his new surroundings.
The “Speeding Trucks” photos of the first section began when Gohlke noticed how the shadows of the elm trees that once lined most Minneapolis streets were momentarily materialized on the bodies of passing trucks. The travel trailers in the second section were all found in a Minnesota State Park on one of the family’s infrequent camping trips, while late-night rambles through Gohlke’s Minneapolis neighborhood led organically to his series of dramatic night pictures in the last section. Notwithstanding their various subject matter, Gohlke’s photos in this book collectively perform a kind of timeless alchemy on the everyday stuff of visual experience.
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