| | BOOK FORMAT
Clth, 8 x 8 in. / 192 pgs / 85 bw. PUBLISHING STATUS
Pub Date 7/17/2018
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2016 p. 28 PRODUCT DETAILS
ISBN 9783958291034 TRADE
List Price: $45.00 CAD $60.00 AVAILABILITY
Out of stock | TERRITORY
NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
|
| | | Saul Leiter: In My RoomForeword by Robert Benton.
 Leiter’s painterly, ravishing, yet informal nudes from the 1940s to the 1970sThe fruit of fantastic recent discoveries from Saul Leiter’s vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist’s studio in New York City’s East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects. In the 1970s Leiter planned to make a book of nudes, but the project was never realized in his lifetime. Now, we get a first-time look at this body of work, which was begun on Leiter’s arrival in New York in 1946 and honed over the next two decades. Leiter, who was also a painter, allows abstract elements into the photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. Leiter, who painted and took pictures prolifically up to his death, worked in relative obscurity until he entered his eighties. He preferred to be left alone, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery.
Saul Leiter was born in Pittsburgh in 1923. In 1946 he moved to New York to become a painter, but was encouraged to pursue photography by the photographic experimentation and influence of his friend, the Abstract Expressionist Richard Pousette-Dart. Leiter subsequently enjoyed a successful career as a fashion photographer spanning three decades, and his images were published in magazines such as Esquire, Harper’s Bazaar, Elle and British Vogue. His work is held in many prestigious private and public collections, including The Museum of Modern Art, New York, the Whitney Museum of American Art and the Victoria and Albert Museum. Leiter died in November 2013.
Featured image is reproduced from Saul Leiter: In My Room.PRAISE AND REVIEWSAnOther Magazine Daisy Woodward It is the clear sense of collaboration between subject and artist that makes these images so striking. Guardian The great photographer captured thousands of unguarded moments in his New York studio, finding beauty in surprising places. Photograph Vince Aletti The book is an homage and a love letter. New York Journal of Books Richard Rivera The images are lovingly and expertly reproduced in a broad dynamic range from delicate gray tones to rich blacks, and is beautifully printed on heavy matte paper by master printer Steidl. Eye of Photography These quiet, intimate black-and-white photographs, which Leiter developed himself in his darkroom, were kept under lock and key during his lifetime; only a few friends knew them. His female models were friends or lovers whom the artist portrayed in the everyday setting of his New York apartment; they were not professional nude models. As if in an act of conspiracy, they joined the photographer in playful collaboration to challenge the dualistic principle of voyeurism and exhibitionism. Feature Shoot Sara Rosen Here, in an intimate monograph, Leiter’s work is presented for the first time, allowing us a glimpse into his private world...He resisted explaining or analyzing his work, allowing the photographs to speak for themselves. This makes the images something of a Rorschach Test, inviting us to look inside and reflect upon what his work triggers in us. Artsy Jacqui Palumbo As New York’s famous mid-century photographers set out to capture the city in shades of black and gray, Saul Leiter rendered its unassuming details in expressive color. Using temperamental expired film, Leiter saw the streets in sharp punches of red and vast seas of shadow. “Seeing is a neglected enterprise,” Leiter once said. A painter as well, he captured the impression of a place—figures, snow, fog, concrete, and lamplight—daubed, like brushstrokes. |
|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 7/25/2018 How we love Saul Leiter: In My Room, Steidl's long-awaited collection of the photographer's tantalizingly unselfconscious nudes. "Leiter's nudes have a spontaneous and romantic quality, like the scattered pages of a diary, or stills from early movies," Carole Naggar writes. "These women are completely natural in front of Leiter's camera, and uninhibited. They are waking up, taking a bath, applying lipstick or makeup, smoking the first cigarette of the day… They are dressing, undressing, pulling a skirt's zipper, unbuttoning a blouse, or simply daydreaming… Leiter's gaze is not that of the typical male: the women can be in turn shy, aggressive, or playful, but they always appear to be partners and full participants in a give-and-take, a dialogue, very aware of the photographer and the photograph that is being taken. In other words, these are not traditional nudes but rather portraits of women who happen to be in the nude. The psychological component is as strong as the erotic, in balance with Leiter's formal concerns." continue to blogFROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 7/9/2019 Saul Leiter came to New York City in 1946, on the run from rabbinical school with dreams of becoming a painter. Instead, he took up photography, having some success in fashion, but remaining relatively obscure as an artist for most of his life. The body of work collected in this volume is intensely personal, Robert Benton writes, "a very private diary in which the pages have somehow gotten out of order." All friends or lovers, "the women in these photographs are unguarded; they are naked, not nude, not clothed with the invisible garb of 'art.' They are just out there, these women, frail and beautiful and deeply human." continue to blog | |  | D.A.P.ISBN: 9781636810683
USD $55.00 | CAD $77Pub Date: 10/11/2022
Active | In stock
|
|  | SteidlISBN: 9783958291034
USD $45.00 | CAD $60Pub Date: 7/17/2018
Active | Out of stock
|
|  | SteidlISBN: 9783865214133
USD $90.00 | CAD $120Pub Date: 10/31/2009
Active | Out of stock
|
|  | SteidlISBN: 9783865211392
USD $45.00 | CAD $60Pub Date: 1/15/2006
Active | Out of stock
|
|
|
| |
