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| | BOOK FORMAT
Slip, pbk, 10 x 15 in. / 140 pgs / 68 duotone. PUBLISHING STATUS
Pub Date 10/22/2019
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Catalog: SPRING 2020 PRODUCT DETAILS
ISBN 9783947127160 SDNR40
List Price: $120.00 CAD $170.00 AVAILABILITY
In stock | TERRITORY
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| | | Christopher Wool: Swamp
The fourth in Christopher Wool's sumptuous slipcased series of limited-edition photobooksFollowing his previous limited editions with Holzwarth Publications, Road, Yard and Westtexaspsychosculpture (all published in 2017), New York–based artist Christopher Wool (born 1955) presents Swamp, a beautiful, slipcased, large-format (10 x 15 inches) paperback volume that likewise features images that have been created through processing and reproduction, in which the original photographic material acts as only the basic layer.
Here, what initially appears as an unruly surface gives way to Wool's black-and-brown photographic superimpositions, fragments of motifs: backyards, abandoned car tires, huge cable drums, dead tree stumps, rusty bed frames or the wall of a shack with strange objects leaning against it.
Published in an edition of 1,200, each copy is signed by the artist and dated 2019.
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FORMAT: Slip, pbk, 10 x 15 in. / 140 pgs / 68 duotone.
LIST PRICE: U.S. $120.00
LIST PRICE: CANADA $170
ISBN: 9783947127160
PUBLISHER: Holzwarth Publications
AVAILABLE: 10/22/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ ME | D.A.P. CATALOG: SPRING 2020 | PRESS INQUIRIES
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| Christopher Wool: Swamp Published by Holzwarth Publications. The fourth in Christopher Wool's sumptuous slipcased series of limited-edition photobooks Following his previous limited editions with Holzwarth Publications, Road, Yard and Westtexaspsychosculpture (all published in 2017), New York–based artist Christopher Wool (born 1955) presents Swamp, a beautiful, slipcased, large-format (10 x 15 inches) paperback volume that likewise features images that have been created through processing and reproduction, in which the original photographic material acts as only the basic layer.
Here, what initially appears as an unruly surface gives way to Wool's black-and-brown photographic superimpositions, fragments of motifs: backyards, abandoned car tires, huge cable drums, dead tree stumps, rusty bed frames or the wall of a shack with strange objects leaning against it.
Published in an edition of 1,200, each copy is signed by the artist and dated 2019.
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