Documenting Tacita Dean's new film work on the many resonances of Sophocles' drama
Tacita Dean’s (born 1965) Antigone (2018) is an hour-long 35mm anamorphic film, and is the most complex work to date by the British-European artist. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles, and is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character.
The leitmotif of the work is blindness: Antigone revolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. It is also a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece. The book documents the narrative of the making and impact of this work.
Featured image is reproduced from 'Tacita Dean: Antigone'.
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FORMAT: Hbk, 8.5 x 12.25 in. / 124 pgs / 100 color. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $41.5 ISBN: 9783906315140 PUBLISHER: Laurenz Foundation, Schaulager AVAILABLE: 10/12/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by Laurenz Foundation, Schaulager. Text by Tacita Dean, Anne Carson, et al.
Documenting Tacita Dean's new film work on the many resonances of Sophocles' drama
Tacita Dean’s (born 1965) Antigone (2018) is an hour-long 35mm anamorphic film, and is the most complex work to date by the British-European artist. The name of this work combines the artist's personal history with the mythological world order: Antigone is the heroine in the eponymous drama by the Greek poet Sophocles, and is also the name of Tacita Dean's older sister. The name creates a double bond full of ambivalences and is the reason for Dean's exploration of the character.
The leitmotif of the work is blindness: Antigone revolves around fundamental questions of foresight and destiny, seeing and not seeing, and metaphorical blindness as a necessity for artistic work. It is also a thoroughly analogue work: Dean assembled the film images, which appear like collages, with and inside the camera using sophisticated stencils and multiple exposures. The result of this experimental project is both a pioneering achievement and a masterpiece. The book documents the narrative of the making and impact of this work.
