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Clth, 14.5 x 11.75 in. / 216 pgs / 100 color. PUBLISHING STATUS
Pub Date 10/31/2009
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ISBN 9783865219435 TRADE
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| | | Edward Burtynsky: OilEdited by Marcus Schubert. Text by Michael Mitchell, William E. Rees, Paul Roth.
In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over 20 years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. --Edward Burtynsky
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FORMAT: Clth, 14.5 x 11.75 in. / 216 pgs / 100 color.
LIST PRICE: U.S. $125.00
LIST PRICE: CANADA $170
ISBN: 9783865219435
PUBLISHER: Steidl
AVAILABLE: 10/31/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Edward Burtynsky: Oil Published by Steidl.
Edited by Marcus Schubert. Text by Michael Mitchell, William E. Rees, Paul Roth. In 1997 I had what I refer to as my oil epiphany. It occurred to me that the vast, human-altered landscapes that I pursued and photographed for over 20 years were only made possible by the discovery of oil and the mechanical advantage of the internal combustion engine. It was then that I began the oil project. Over the next ten years I researched and photographed the largest oil fields I could find. I went on to make images of refineries, freeway interchanges, automobile plants and the scrap industry that results from the recycling of cars. Then I began to look at the culture of oil, the motor culture, where masses of people congregate around vehicles, with vehicle events as the main attraction. These images can be seen as notations by one artist contemplating the world as it is made possible through this vital energy resource and the cumulative effects of industrial evolution. --Edward Burtynsky
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