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Clth, 5.5 x 8.5 in. / 148 pgs / 20 color / 11 bw. PUBLISHING STATUS
Pub Date 1/26/2016
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ISBN 9783863357870 FLAT40
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| | | Marcel BroodthaersAn Attempt to Retell the Story By Jürgen Harten
The Project for a Discourse of all Figures in Three Parts, previously unpublished and documented here in facsimile, is based on one of the blue school exercise books that Marcel Broodthaers (1924–76) worked on in Autumn 1970, after moving from Brussels to Düsseldorf. Tucked away in each of these originals is an envelope containing a 100 mark note from which the eagle has been cut out. The project recalls the founding of the legendary Musée d’Art Moderne Département des Aigles in 1968 and formulates ideas which Broodthaers would go on to realize in 1972 in the Kunsthalle in Düsseldorf in the "Section des Figures" of his institutional fiction. Curator and art historian Jürgen Harten describes his collaboration with Broodthaers on this project in this unique artist’s book and narrative hybrid, addressing the artistic and art-critical questions with which Broodthaers’ project confronted us.
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FORMAT: Clth, 5.5 x 8.5 in. / 148 pgs / 20 color / 11 b&w.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $67.5
ISBN: 9783863357870
PUBLISHER: Walther König, Köln
AVAILABLE: 1/26/2016
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2016 Page 152 | PRESS INQUIRIES
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| Marcel Broodthaers
An Attempt to Retell the Story By Jürgen Harten Published by Walther König, Köln. The Project for a Discourse of all Figures in Three Parts, previously unpublished and documented here in facsimile, is based on one of the blue school exercise books that Marcel Broodthaers (1924–76) worked on in Autumn 1970, after moving from Brussels to Düsseldorf. Tucked away in each of these originals is an envelope containing a 100 mark note from which the eagle has been cut out. The project recalls the founding of the legendary Musée d’Art Moderne Département des Aigles in 1968 and formulates ideas which Broodthaers would go on to realize in 1972 in the Kunsthalle in Düsseldorf in the "Section des Figures" of his institutional fiction. Curator and art historian Jürgen Harten describes his collaboration with Broodthaers on this project in this unique artist’s book and narrative hybrid, addressing the artistic and art-critical questions with which Broodthaers’ project confronted us.
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