An overview of the work of a German industrial designer known for his functional, geometric and mass-manufactured furniture and household objects
In devising a concept for the Abbildungen exhibition, Konstantin Grcic thought back to one of his earliest designs, an additional pedestal for a sculpture by Constantin Brancusi. This became the leitmotif of his staging of twenty-one selected objects. The exhibition is the underpinning for the conception of this publication, which turns its gaze on the media-framing of Grcic’s design objects. First researched in early magazines, company prospectuses, flyers and other print media, the selected pieces are presented here as reproductions of reproductions. The publication is accompanied by an in-depth analysis by Robin Schuldenfrei, Professor at the Courtauld Institute of Art in London, who, in presenting Konstantin Grcic’s oeuvre to the German-speaking world, examines it from a historical perspective for the first time. Finally, the staged gallery spaces at Kunsthalle Bielefeld are documented in photographs by Wolfgang Günzel, Offenbach.
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FORMAT: Pbk, 9.5 x 11.75 in. / 432 pgs / 336 images. LIST PRICE: U.S. $46.00 LIST PRICE: CANADA $62 ISBN: 9783037785058 PUBLISHER: Lars Müller Publishers AVAILABLE: 10/24/2016 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Published by Lars Müller Publishers. Edited by Friedrich Meschede.
An overview of the work of a German industrial designer known for his functional, geometric and mass-manufactured furniture and household objects
In devising a concept for the Abbildungen exhibition, Konstantin Grcic thought back to one of his earliest designs, an additional pedestal for a sculpture by Constantin Brancusi. This became the leitmotif of his staging of twenty-one selected objects. The exhibition is the underpinning for the conception of this publication, which turns its gaze on the media-framing of Grcic’s design objects. First researched in early magazines, company prospectuses, flyers and other print media, the selected pieces are presented here as reproductions of reproductions. The publication is accompanied by an in-depth analysis by Robin Schuldenfrei, Professor at the Courtauld Institute of Art in London, who, in presenting Konstantin Grcic’s oeuvre to the German-speaking world, examines it from a historical perspective for the first time. Finally, the staged gallery spaces at Kunsthalle Bielefeld are documented in photographs by Wolfgang Günzel, Offenbach.
