Edited by Alexander Alberro. Text by Alexander Alberro, Mike Kelley.
Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here--such as his contributions to the German magazine Texte zur Kunst--appear in English for the first time.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Pbk, 6 x 8.25 in. / 256 pgs / 20 b&w. LIST PRICE: U.S. $24.95 LIST PRICE: CANADA $33.95 GBP £11.00 ISBN: 9783037641941 PUBLISHER: JRP|Ringier AVAILABLE: 1/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD Excl FR DE AU CH
Published by JRP|Ringier. Edited by Alexander Alberro. Text by Alexander Alberro, Mike Kelley.
Spanning 1989 to 2009, this anthology collects the influential writings of American artist, musician and critic John Miller (born 1954), which have been lauded by Bruce Hainley in Artforum as “a pungent intervention into the ideologies of beauty, representation and looking.” Ranging from reviews and cultural essays to theory and artist's statements, Miller's writings distinguish themselves from other styles of art criticism insofar as they relate to his larger artistic concerns with the social context of the art object and its sociopolitical ramifications as a commodity (as the title of this volume implies); they are also deeply informed by Miller's vast knowledge of art history and popular culture. More recently, Miller has entered into close dialogue with Dan Graham, Bob Nickas and Nicolas Guagnini. Many of the essays collected here--such as his contributions to the German magazine Texte zur Kunst--appear in English for the first time.
