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| | BOOK FORMAT Clth, 8.75 x 10.75 in. / 176 pgs / 120 color. PUBLISHING STATUS Pub Date 6/11/2024 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2024 p. 79 PRODUCT DETAILS ISBN 9781941366646 TRADE List Price: $50.00 CAD $72.00 GBP £44.00 AVAILABILITY In stock | TERRITORY WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Martin Puryear: LookoutForeword by John P. Stern. Text by Adela Goldsmith, Nora Lawrence, Amy S. Weisser. Conversation between Glenn Adamson and Martin Puryear.
Inspired by global masonry techniques and Hudson Valley history, Martin Puryear’s installation for Storm King Art Center opens its oculi onto the museum groundsThis catalog documents the construction and unveiling of American artist Martin Puryear's (born 1941) monumental site-specific installation, Lookout, at Storm King Art Center in New Windsor, New York. The 20-foot-tall sculpture is built of layers of red clay bricks laid using thin-shell masonry techniques. Rather than straight lines and vertical walls, however, the work curves inward and upward, opening to allow entry from one side while producing a swelling form on the opposite end. In Lookout, Puryear evokes brickmaking as a once-primary industry in the Hudson Valley and references the vernacular structures that dot the local landscape. Inside the structure, Puryear uses the work’s form and setting to encourage a heightened sense of presence. The brick surface is punctuated by a constellation of 90 circular openings created by tubes of fiberglass-reinforced concrete in varying sizes. These oculi act as apertures, creating pinhole vignettes of the surrounding trees and sky. The book is complemented by a broader retrospective of Puryear’s work, including a selection of process models and drawings from over 40 years of his public sculptures and installations.
Featured image is reproduced from 'Martin Puryear: Lookout.'PRAISE AND REVIEWSMegan Fox Kelly: Art Advisory Megan Kelly A first person account of the decisions, history, and building the large sculpture is thrilling. |
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| | | | | Gregory R. Miller & Co./Storm King Art CenterISBN: 9781941366646 USD $50.00 | CAD $72 UK £ 44Pub Date: 6/11/2024 Active | In stock
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FORMAT: Clth, 8.75 x 10.75 in. / 176 pgs / 120 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $72 GBP £44.00 ISBN: 9781941366646 PUBLISHER: Gregory R. Miller & Co./Storm King Art Center AVAILABLE: 6/11/2024 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2024 Page 79 | PRESS INQUIRIES
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| Martin Puryear: Lookout Published by Gregory R. Miller & Co./Storm King Art Center. Foreword by John P. Stern. Text by Adela Goldsmith, Nora Lawrence, Amy S. Weisser. Conversation between Glenn Adamson and Martin Puryear. Inspired by global masonry techniques and Hudson Valley history, Martin Puryear’s installation for Storm King Art Center opens its oculi onto the museum grounds This catalog documents the construction and unveiling of American artist Martin Puryear's (born 1941) monumental site-specific installation, Lookout, at Storm King Art Center in New Windsor, New York. The 20-foot-tall sculpture is built of layers of red clay bricks laid using thin-shell masonry techniques. Rather than straight lines and vertical walls, however, the work curves inward and upward, opening to allow entry from one side while producing a swelling form on the opposite end. In Lookout, Puryear evokes brickmaking as a once-primary industry in the Hudson Valley and references the vernacular structures that dot the local landscape.
Inside the structure, Puryear uses the work’s form and setting to encourage a heightened sense of presence. The brick surface is punctuated by a constellation of 90 circular openings created by tubes of fiberglass-reinforced concrete in varying sizes. These oculi act as apertures, creating pinhole vignettes of the surrounding trees and sky. The book is complemented by a broader retrospective of Puryear’s work, including a selection of process models and drawings from over 40 years of his public sculptures and installations.
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