How to Improve the World (You Will Only Make Matters Worse)
Edited by Joe Biel, Richard Kraft. Afterword by David Rose.
“Over 16 years, beginning in 1965, John Cage compiled anecdotes, observations and koanlike tales, originally typing everything on an IBM Selectric and using chance methods to determine the formatting of texts that twist down each page. The Siglio edition preserves the graphic effects, but, more important, it gives a sense of the company he kept during these years—Marcel Duchamp, R. Buckminster Fuller, D.T. Suzuki—and of his passionate feeling about a world locked in a state of perpetual warfare. Cage has a reputation for being a Zen-inspired wit. He was also much more, an intensely engaged moral thinker.” –Holland Cotter, New York Times
Now available in an expanded paperback edition, Diary registers Cage’s assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and—in the case of Part Three, originally published by Something Else Press—color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.
While Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, Diary nonetheless accumulates into a complex reflection of Cage’s sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.
Collecting all eight parts into a single volume, coeditors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. In the editors’ note, Kraft and Biel elucidate the procedure of chance operations and demonstrate its application, giving readers a rare opportunity to see how the text is transformed.
This expanded paperback edition reproduces the 2015 hardback edition, with a new essay by mycologist and Cage aficionado David Rose and, most important, an addendum that includes many facsimile pages of Cage’s handwritten notebook of a ninth part in progress, bringing the reader into compelling proximity to Cage’s process and the raw material from which Diary was made.
Featured image is reproduced from 'John Cage: Diary.'
PRAISE AND REVIEWS
Shelf Awareness
Dave Wheeler
What becomes apparent, however, in both his diary and letters, is Cage's deep sense of vulnerability, the emotional force guiding him through his craft and relationships and a world fraught with political unease.
Paris Review
[John Cage: Diary] is no ordinary account of days gone by; a plain record of events would be too simple for such a daring and meticulous artist. The product of thirty years, Diary allows us a glimpse of the late twentieth century through Cage’s eyes. His insights and observations reveal a generous, openhearted view of the world in tumult.
LitHub
J Mae Barizo
I realized that I gravitated towards Cage’s writings because I was tired of tidy narratives and expected endings. I wanted a text that tumbled down the page midstream, never arriving at a full stop.
Los Angeles Review of Books
Perwana Nazif
[R]ead Cage’s diary... for his valuable insights into art, language, and humorous prose on why paper should be edible or how he describes himself as an “open cage."
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John Cage lovers, rejoice! A new, expanded paperback edition of Diary: How to Improve the World (You Will Only Make Matters Worse) is available at last! To the original eight sections written for publication in Clark Coolidge's magazine, Joglars, this volume adds a new essay by mycologist and Cage scholar David Rose and an added chapter containing a sampling of pages from the only known materials from the unfinished ninth part, now held in the archives of the John Cage Trust. One diary scribble reads, "This is the first of the global commandments. Thou shalt not divide the world into nations." Another says, "Music gives us practice in reading things we can't understand." Like the first volume, this is a real treasure. continue to blog
FORMAT: Pbk, 5.75 x 8.25 in. / 200 pgs / 24 color / 176 duotone. LIST PRICE: U.S. $24.00 LIST PRICE: CANADA $31 GBP £21.00 ISBN: 9781938221217 PUBLISHER: Siglio AVAILABLE: 10/21/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD Except France
John Cage: Diary How to Improve the World (You Will Only Make Matters Worse)
Published by Siglio. Edited by Joe Biel, Richard Kraft. Afterword by David Rose.
“Over 16 years, beginning in 1965, John Cage compiled anecdotes, observations and koanlike tales, originally typing everything on an IBM Selectric and using chance methods to determine the formatting of texts that twist down each page. The Siglio edition preserves the graphic effects, but, more important, it gives a sense of the company he kept during these years—Marcel Duchamp, R. Buckminster Fuller, D.T. Suzuki—and of his passionate feeling about a world locked in a state of perpetual warfare. Cage has a reputation for being a Zen-inspired wit. He was also much more, an intensely engaged moral thinker.” –Holland Cotter, New York Times
Now available in an expanded paperback edition, Diary registers Cage’s assessment of the times in which he lived as well as his often uncanny portents about the world we live in now. With a great sense of play as well as purpose, Cage traverses vast territory, from the domestic minutiae of everyday life to ideas about how to feed the world. He used chance operations to determine not only the word count and the application of various typefaces but also the number of letters per line, the patterns of indentation, and—in the case of Part Three, originally published by Something Else Press—color. The unusual visual variances on the page become almost musical as language takes on a physical and aural presence.
While Cage used chance operations to expand the possibilities of creating and shaping his work beyond the limitations of individual taste, Diary nonetheless accumulates into a complex reflection of Cage’s sensibilities as a thinker and citizen of the world, illuminating his social and political awareness, as well as his idealism and sense of humor: it becomes an oblique but indelible portrait of one the most influential figures of the 20th-century American avant-garde.
Collecting all eight parts into a single volume, coeditors Joe Biel and Richard Kraft also used chance operations to render the entire text in various combinations of red and blue (used by Dick Higgins and Alison Knowles for Part Three) as well as to apply a single set of 18 fonts to the entire work. In the editors’ note, Kraft and Biel elucidate the procedure of chance operations and demonstrate its application, giving readers a rare opportunity to see how the text is transformed.
This expanded paperback edition reproduces the 2015 hardback edition, with a new essay by mycologist and Cage aficionado David Rose and, most important, an addendum that includes many facsimile pages of Cage’s handwritten notebook of a ninth part in progress, bringing the reader into compelling proximity to Cage’s process and the raw material from which Diary was made.
