BOOK FORMAT Paperback, 7 x 10 in. / 144 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 2/28/2011 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2011 p. 53
PRODUCT DETAILS ISBN 9781887123525TRADE List Price: $29.95 CAD $39.95 GBP £27.00
AVAILABILITY In stock
TERRITORY WORLD
J. Hoberman's monograph details the creative making--and legal unmaking--of Jack Smith's extraordinary film "Flaming Creatures," a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters.
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
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On Jack Smith's Flaming Creatures (and other Secret-Flix of Cinemaroc)
Published by Hips Road/Tzadik. Essay by J. Hoberman.
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
