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ARTIST MONOGRAPHS

PUBLISHER
DelMonico Books

BOOK FORMAT
Clth, 9.5 x 12 in. / 176 pgs / 86 color.

PUBLISHING STATUS
Pub Date
Active

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D.A.P. Exclusive
Catalog: SPRING 2025 p. 18   

PRODUCT DETAILS
ISBN 9781636811543 TRADE
List Price: $49.95 CAD $74.95 GBP £42.00

AVAILABILITY
In stock

TERRITORY
WORLD

EXHIBITION SCHEDULE

Denver, CO
Denver Art Museum, 04/20/25–08/17/25

Montreal, Canada
Montreal Museum of Fine Arts, 09/27/25–03/08/26

THE SPRING 2025 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our SPRING 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

DELMONICO BOOKS

Kent Monkman: History is Painted by the Victors

Edited with text by John P. Lukavic, Léuli Eshroghi. Text by Ned Blackhawk, Brenda J. Child, Adrienne Huard, Bryan C. Keene, Patricia Norby.

Kent Monkman: History is Painted by the Victors

The renowned Cree artist unmasks a whitewashed, Eurocentric history through provocative paintings full of sexuality and drama

One of Canada’s most renowned artists, interdisciplinary Cree artist Kent Monkman challenges the art historical narrative of settler cultures that colonized First Peoples from North America. He incorporates influences from the canon of European and Euro-American painting, reframing historical, contemporary and speculative future Indigenous experiences. Taking inspiration from Western artists such as George Catlin, as well as from the Old Masters, Monkman’s monumental history paintings feature white colonizers in violent conflict with Indigenous people. The depictions range from early colonial encounters to modern and contemporary clashes between Indigenous communities and uniformed police or clergy. In borrowing the visual language of his oppressors, Monkman reclaims the narrative written by Western art history about the brutalization and cultural genocide carried out against Indigenous North American communities.
History is Painted by the Victors accompanies the artist’s first major exhibition in the United States. The catalog gathers rich analysis of Monkman’s art from prominent scholars, expanding our understanding of his oeuvre and offering new insight via queer theory, historical and contemporary contexts, visual analysis and lived experience.
Kent Monkman was born in 1965 in Ontario, Canada and is a member of Fisher River Cree First Nation in Treaty 5 Territory. Monkman’s works have been exhibited at the Metropolitan Museum of Art, Montreal Museum of Fine Arts, Hayward Gallery, Philbrook Museum of Art, Palais de Tokyo and many more. He is the author of two bestselling novels, The Memoirs of Miss Chief Eagle Testickle, Volumes 1 and 2, which are based on his gender-fluid alter ego who often appears in Monkman’s work as a time-traveling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. He lives and works in New York City and Toronto.

This book was published in conjunction with Denver Art Museum; Montreal Museum of Fine Arts


Kent Monkman: History is Painted by the Victors

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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 3/4/2025

In Kent Monkman, a little mischief may lead to monumental change

In Kent Monkman, a little mischief may lead to monumental change

The Storm (2021) is from Kent Monkman: History is Painted by the Victors, published to accompany the renowned Cree Canadian artist’s upcoming show at the Denver Art Museum—his first major museum exhibition in the United States. Coming to us at what might be the best—or worst—possible moment given the current political situation, the work (generally organized around Monkman’s alter ego, “Miss Chief”) takes on issues of colonization and queerness, dark histories and corrective imaginations, with dark humor and pointed fury. “The subjects of Monkman’s paintings range from brutal scenes of oppression to moments of lament and celebrations of triumph and valor,” John P. Lukavic and Léuli Eshroghi write. “They challenge authority, or rather authorship, of the official colonial histories that many have learned and perpetuated. Some of these works are allegorical or metaphorical, while others are of known moments in history. If you find Monkman’s work challenging, enlightening, offensive, affirming or validating, it is absolutely meant for you.” They conclude: “A little mischief can lead to monumental change.” continue to blog


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