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HICKS, SHEILA

PUBLISHER
DelMonico Books/galerie frank elbaz

BOOK FORMAT
Hardcover, 5.5 x 12 in. / 112 pgs / 60 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2024 p. 101   

PRODUCT DETAILS
ISBN 9781636811499 TRADE
List Price: $45.00 CAD $62.00 GBP £40.00

AVAILABILITY
In stock

TERRITORY
WORLD

THE FALL 2024 ARTBOOK | D.A.P. CATALOG

Artbook | D.A.P. Catalog Cover Link
Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

DELMONICO BOOKS/GALERIE FRANK ELBAZ

Sheila Hicks: Radical Vertical Inquiries

Edited with text by Frauke V. Josenhans. Foreword and interview with Sheila Hicks by Enrico Martignoni.

Sheila Hicks: Radical Vertical Inquiries

A unique book embracing the verticality of Sheila Hicks’ work

For decades, Sheila Hicks has engaged with color, texture and verticality, using textiles as her medium of choice. Her unique approach is informed by her interest in architecture, space, historical weaving traditions and innovations in fiber technology. This new bilingual publication (English and French) focuses on her cascading multicolored columns. Building on her earlier work and occupation with verticality, the columns have extended to new and spectacular settings, notably outdoors, refusing any traditional limitations, adapting to various environments, from the Art Gallery of New South Wales to the rocky hills of the French countryside and medieval castles.
Hicks’ work has always been published in innovative formats, a result of her creative collaborations with designers. The book reflects the verticality that is crucial to Hicks’ towering fiber structures. It features stunning reproductions of the columns created by the artist over the last 10 years. The selection culminates in Hicks’ most recent installation, Vers des horizons inconnus in front of the Institut de France during Paris + in 2023. Radical Vertical Inquiries is an eye-popping, design-forward companion to Hicks’ work that shines on its own.
Sheila Hicks was born in Nebraska in 1934 and has lived and worked in Paris since 1964. Her engagement with different cultures enables her to create and exhibit artworks, ranging from the miniature to the monumental, that have been exhibited at museums and other institutions around the world. Among her numerous awards are: U.S. State Department Medal of Arts (2023); Officier de la Légion d’Honneur, France (2022); Honorary Doctorate of Fine Arts, Yale University (2019).


Sheila Hicks: Radical Vertical Inquiries

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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 8/4/2024

Join Artbook | D.A.P. at Shoppe Object New York 2024

Join Artbook | D.A.P. at Shoppe Object New York 2024

August 4–6, 2024, from 9 AM–6 PM, visit us in Booth N102 at New York’s most refined independent home and gift show. You'll find our book stand on the ground level at the fair's beautiful Broome Street location, Skylight at Essex Crossing! Pre-register here!
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FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 10/10/2024

Textile as language in 'Sheila Hicks: Radical Vertical Inquiries'

Textile as language in 'Sheila Hicks: Radical Vertical Inquiries'

At 90, Nebraska-born, Paris-based textile artist and sculptor Sheila Hicks is a living legend and an international treasure. Her new book, Radical Vertical Inquiries—fittingly sized at 5.5 x 12-inches—is at last on American shores, published by DelMonico Books and Galerie Frank Elbaz. Featured image is “Gabriel Reaching for Heaven” in the 2022 Hepworth Wakefield exhibition, Off Grid. “At The Hepworth the exhibition spills out into the garden,” Hicks is quoted. “I knew it was going to be a challenge: with architecture you can make friends, accommodate and negotiate, but in the garden, nature is going to do its own thing and take over no matter what. You think you can speak to flowers in a friendly way, but whatever you’re going to introduce into their domain, nature will confront. And so I was reluctant, but in the end I proposed a 5-meter-tall [16-foot-tall] tower that shoots upwards. . . . But you could see it out of one of the windows, you go to one of the corners and you say, ‘How did that get out there, what in the world is that? Who trucked this strange thing in, this tower, and put it in the garden?’” continue to blog