| | BOOK FORMAT
Clth, 8 x 11 in. / 132 pgs / 60 color. PUBLISHING STATUS
Pub Date 10/25/2022
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2022 p. 108 PRODUCT DETAILS
ISBN 9781636810140 TRADE
List Price: $39.95 CAD $53.95 GBP £31.99 AVAILABILITY
In stock | TERRITORY
WORLD | EXHIBITION SCHEDULESaratoga Springs, NY
The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 07/10/21–01/02/22 | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
|
| | | Sarah Cain: Enter the CenterEdited with interview by Ian Berry. Text by Andy Campbell, Lauren Haynes. Poem by Bernadette Mayer.
 The most comprehensive publication to date on Sarah Cain’s exuberant paintings and installationsLos Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors, furniture and dollar bills.
Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. Her process of creation and destruction frequently includes found objects and is steeped in the history of painting and feminist art practices. Cain's work is a challenge to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings—their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times.
Sarah Cain: Enter the Center features new writings and previously unpublished photographs and documentation of dozens of artworks with a focus on the last decade of Cain's exuberant and unique paintings and installations.
Featured image is reproduced from 'Sarah Cain: Enter the Center'. |
|  | Free Shipping UPS GROUND IN THE CONTINENTAL U.S.
FOR CONSUMER ONLINE ORDERS | |
| | | |  | DelMonico Books/TangISBN: 9781636810140
USD $39.95 | CAD $53.95 UK £ 31.99Pub Date: 10/25/2022
Active | In stock
|
|  | CAM RaleighISBN: 9780990690917
USD $40.00 | CAD $54 UK £ 35Pub Date: 2/23/2016
Active | Out of stock
|
|
|
| |
| |
|
FORMAT: Clth, 8 x 11 in. / 132 pgs / 60 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $53.95
GBP £31.99
ISBN: 9781636810140
PUBLISHER: DelMonico Books/Tang
AVAILABLE: 10/25/2022
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2022 Page 108 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS
Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Sarah Cain: Enter the Center Published by DelMonico Books/Tang.
Edited with interview by Ian Berry. Text by Andy Campbell, Lauren Haynes. Poem by Bernadette Mayer. The most comprehensive publication to date on Sarah Cain’s exuberant paintings and installations Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors, furniture and dollar bills.
Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. Her process of creation and destruction frequently includes found objects and is steeped in the history of painting and feminist art practices. Cain's work is a challenge to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings—their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times.
Sarah Cain: Enter the Center features new writings and previously unpublished photographs and documentation of dozens of artworks with a focus on the last decade of Cain's exuberant and unique paintings and installations.
| VIEW MORE ONLINE AT: https://www.artbook.com/9781636810140.html |
| | |
|