Ten adultsmen and women, black and whitefight, flee or die over the twelve-foot span of American People Series #20: Die, as an interracial pair of children cowers unnoticed in their midst. While Faith Ringgold (born 1930) was devising this bloody spectacle in a Manhattan studio in the summer of 1967, civil unrest was convulsing black neighborhoods across the US. Art historian Anne Monahan's essay explores the mural's carefully orchestrated chaos and its multiform inspirations, from contemporary anxiety about black revolution, through the writings of James Baldwin and LeRoi Jones, to iconic canvases by Picasso and Pollock then on view at MoMA.
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FORMAT: Pbk, 7.25 x 9 in. / 48 pgs / 35 color. LIST PRICE: U.S. $14.95 LIST PRICE: CANADA $21 ISBN: 9781633450677 PUBLISHER: The Museum of Modern Art, New York AVAILABLE: 3/19/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by The Museum of Modern Art, New York. Text by Anne Monahan.
Ten adultsmen and women, black and whitefight, flee or die over the twelve-foot span of American People Series #20: Die, as an interracial pair of children cowers unnoticed in their midst. While Faith Ringgold (born 1930) was devising this bloody spectacle in a Manhattan studio in the summer of 1967, civil unrest was convulsing black neighborhoods across the US. Art historian Anne Monahan's essay explores the mural's carefully orchestrated chaos and its multiform inspirations, from contemporary anxiety about black revolution, through the writings of James Baldwin and LeRoi Jones, to iconic canvases by Picasso and Pollock then on view at MoMA.