| | BOOK FORMAT Paperback, 8.5 x 10.5 in. / 272 pgs / 350 color. PUBLISHING STATUS Pub Date 3/1/2007 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 91 PRODUCT DETAILS ISBN 9789056624828 TRADE List Price: $55.00 CAD $72.50 AVAILABILITY In stock | TERRITORY NA LA ME | Joep van Lieshout has constructed a complex edifice within the realm of contemporary art. It is not made up of paintings or sculptures, nor of performance pieces, installations or body art. Instead, it is an amalgamation of many of the elements taken from these traditions and fused into something that one can use or inhabit. It is a deformed architecture of everyday life. To make sense of such a deformed structure, it might be useful to trace its origins. Van Lieshout, who is roughly my age, grew up in the Netherlands as an orderly, organized society where everything and everyone was in its place. His art traces and tracks the way in which we reacted to the knowable and predictable architecture of everyday life. Aaron Betsky, excerpted from his essay, "The Deformation of Everyday Life: A Short History of Joep van Lieshout's Architecture," published in Atelier van Lieshout. |
|   |   | Atelier van LieshoutText by Jennifer Allen, Aaron Betsky, Rudi Laermans, Wouter Vanstiphout.
When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style… dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
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| | | OF RELATED INTEREST | Museum Boijmans van BeuningenISBN: 9789069181820 USD $40.00 | CAD $50Pub Date: 9/2/1997 No longer our product |
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| | | Walther König, KölnISBN: 9783960981831 USD $40.00 | CAD $55Pub Date: 10/8/2019 Active | In stock
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| | nai010 publishersISBN: 9789056624828 USD $55.00 | CAD $72.5Pub Date: 3/1/2007 Active | In stock
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FORMAT: Paperback, 8.5 x 10.5 in. / 272 pgs / 350 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $72.5 ISBN: 9789056624828 PUBLISHER: nai010 publishers AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ME | D.A.P. CATALOG: SPRING 2007 Page 91 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Atelier van Lieshout Published by nai010 publishers. Text by Jennifer Allen, Aaron Betsky, Rudi Laermans, Wouter Vanstiphout. When Joep van Lieshout (b. 1963) founded the art and architecture studio that bears his name, he set in motion what has been described as "a new Dutch architectural style… dirty, delicious and direct." Now Atelier Van Lieshout is 10, and the first major monograph devoted to it, A Manual (1997), has been sold out for years. This new overview brings readers into AVL's contrarian applied art via luxuriously appointed "mobile homes," autonomous communes and surreal art projects, with equal time given to AVL-Ville (2001), a "free state" in Rotterdam's port, complete with its own flag, its own constitution and its own currency, and the revealing minutia of AVL's portfolio, from furniture to the "Bar Rectum," a perverse take on the Oscar-Meyer Weiner Mobile. The idea of art that can be used for a self-sufficient and independent lifestyle hits a uniquely high point in AVL-Ville, a culmination of all the work AVL has done before. And it lives on: After a successful and tumultuous year of work, AVL has recently located its first AVL-Ville export product in Park Middelheim in Antwerp: the AVL Franchise Unit. This richly illustrated survey tracks AVL's serious and often provocative portfolio through a crucial period in its growth and development.
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