| | PUBLISHER
ChartaBOOK FORMAT
Paperback, 8.25 x 11 in. / 128 pgs / 81 color. PUBLISHING STATUS
Pub Date 6/1/2007
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 144 PRODUCT DETAILS
ISBN 9788881586240 TRADE
List Price: $39.95 CAD $50.00 AVAILABILITY
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| | | CHARTADarren Waterston: Representing The InvisibleText by David Pagel, Jacquelynn Baas, Timothy Anglin Burgard, Darren Waterston.
Darren Waterston's somber but sexy paintings layer curvy, organic forms over strong colors in alluring riffs on the language of landscape. As abstract works with a visceral physicality, they evoke a sense of place without geographic reference. Their night-sky blues, mist grays and blood reds are dotted with disorienting arrays of starry pinpoints, bubbles, ripples and rays. Perhaps because his work could offer a window to anywhere--deep space, your backyard, or your synapses--it works at any scale. His most recent mural project, Was and Is Not and Is to Come, for the San Jose Contemporary Art Center, was his largest to date, expanding over 150 feet and taking two weeks to execute. Waterston has exhibited internationally, is included in permanent collections at the Los Angeles County Museum of Art and the de Young Museum, and has been covered in ArtNews, Art in America, GQ,, the Los Angeles Times and the New York Times.
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| | | | OF RELATED INTEREST |  St. Ann's PressISBN: 9780967174464
USD $65.00 | CAD $75Pub Date: 11/2/2001
No longer our product | Not available
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FORMAT: Paperback, 8.25 x 11 in. / 128 pgs / 81 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9788881586240
PUBLISHER: Charta
AVAILABLE: 6/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2007 Page 144 | PRESS INQUIRIES
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| Darren Waterston: Representing The Invisible Published by Charta.
Text by David Pagel, Jacquelynn Baas, Timothy Anglin Burgard, Darren Waterston. Darren Waterston's somber but sexy paintings layer curvy, organic forms over strong colors in alluring riffs on the language of landscape. As abstract works with a visceral physicality, they evoke a sense of place without geographic reference. Their night-sky blues, mist grays and blood reds are dotted with disorienting arrays of starry pinpoints, bubbles, ripples and rays. Perhaps because his work could offer a window to anywhere--deep space, your backyard, or your synapses--it works at any scale. His most recent mural project, Was and Is Not and Is to Come, for the San Jose Contemporary Art Center, was his largest to date, expanding over 150 feet and taking two weeks to execute. Waterston has exhibited internationally, is included in permanent collections at the Los Angeles County Museum of Art and the de Young Museum, and has been covered in ArtNews, Art in America, GQ,, the Los Angeles Times and the New York Times.
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