| | PUBLISHER St. Ann's PressBOOK FORMAT Hardcover, 9.5 x 11.75 in. / 130 pgs / 60 color PUBLISHING STATUS Pub Date 11/2/2001 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2001 PRODUCT DETAILS ISBN 9780967174464 TRADE List Price: $65.00 CAD $75.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | ST. ANN'S PRESSDarren WaterstonEssay by Amy Gerstler.
Darren Waterson's early paintings were interpretations of conventional landscape imagery, depicted as meditations on fertility and decomposition. Examples of the early work appear in this book, but the majority of the paintings are from a more recent period where he shifts the focus of the work away from decaying abstraction into one of exoticism, decadence and an underlying erotic sensuality. Waterson uses traditional painting materials and techniques, and the multiple layers of paint that are the foundation for his works infuse them with a wet, atmospheric quality. He also has an acute interest in the aesthetics of the East, and motifs of the Orient punctuate every picture. The paintings that at first appear quite ethereal and whimsical upon further investigation reveal a sensuality combining a poetic language of flora and fauna with an overt observation about the human body and other creatures. The result is a complex layering of opposing forces: beautiful and unsettling, appealing and revealing, extroverted and introspective.
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FORMAT: Hardcover, 9.5 x 11.75 in. / 130 pgs / 60 color LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $75 ISBN: 9780967174464 PUBLISHER: St. Ann's Press AVAILABLE: 11/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
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| Darren Waterston Published by St. Ann's Press. Essay by Amy Gerstler. Darren Waterson's early paintings were interpretations of conventional landscape imagery, depicted as meditations on fertility and decomposition. Examples of the early work appear in this book, but the majority of the paintings are from a more recent period where he shifts the focus of the work away from decaying abstraction into one of exoticism, decadence and an underlying erotic sensuality. Waterson uses traditional painting materials and techniques, and the multiple layers of paint that are the foundation for his works infuse them with a wet, atmospheric quality. He also has an acute interest in the aesthetics of the East, and motifs of the Orient punctuate every picture. The paintings that at first appear quite ethereal and whimsical upon further investigation reveal a sensuality combining a poetic language of flora and fauna with an overt observation about the human body and other creatures. The result is a complex layering of opposing forces: beautiful and unsettling, appealing and revealing, extroverted and introspective.
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