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| | BOOK FORMAT Hardcover, 8.5 x 11 in. / 128 pgs / 100 color. PUBLISHING STATUS Pub Date 7/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2007 p. 88 PRODUCT DETAILS ISBN 9788434311367 TRADE List Price: $34.00 CAD $40.00 AVAILABILITY Not available | TERRITORY NA Japan | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | VelázquezText by Santiago Alcolea.
Like his Dutch contemporary Vermeer, Diego Velázquez (1599-1660) had little reputation outside of his native land until the nineteenth century, when the Spanish royal painting collections became state property and were installed in the Prado Museum in Madrid. The year was in 1819, and several private and official collections in London and Paris also benefited. Unlike Vermeer, however, Velázquez had a fairly large oeuvre waiting to be rediscovered--and rediscovered it was, with great rapidity and enthusiasm. Goya and Manet are almost inconceivable without the precedent of Velázquez's portraiture, and in fact Manet even called the Spaniard "the painter of painters." His impact on French Impressionism was colossal. And two of the twentieth century's most famous artists painted direct homages: Picasso made a version of "Las Meninas" in 1957; and Francis Bacon's "screaming popes" are based on Velázquez's 1650 portrait of Pope Innocent X. From Goya until today, Velázquez's work has been recognized not only as the essential forerunner to Modern painting, but also as the greatest exponent of seventeenth-century Spanish art.
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| | | | | | Ediciones PolígrafaISBN: 9788434312708 USD $35.00 | CAD $47.5Pub Date: 6/30/2011 Out of stock indefinitely | Not available
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| | Ediciones PolígrafaISBN: 9788434309661 USD $34.00 | CAD $45Pub Date: 7/1/2007 Out of stock indefinitely | Not available
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| | Ediciones PolígrafaISBN: 9788434311749 USD $34.00 | CAD $45Pub Date: 11/1/2008 Out of stock indefinitely | Not available
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| | Ediciones PolígrafaISBN: 9788434311367 USD $34.00 | CAD $40Pub Date: 7/1/2007 Out of print | Not available
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| | Ediciones PolígrafaISBN: 9788434311725 USD $34.00 | CAD $45Pub Date: 11/1/2008 Out of print | Not available
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| OF RELATED INTEREST | | Ediciones PolígrafaISBN: 9788434309623 USD $65.00 | CAD $75Pub Date: 12/2/2002 Out of print | Not available
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| | Turner Palermo/Fundacion Coleccion Thyssen-BornemiszaISBN: 9788475067650 USD $60.00 | CAD $70Pub Date: 3/1/2007 Out of print | Not available
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| | nai010 publishers/Museum Boijmans Van BeuningenISBN: 9789056623234 USD $29.95 | CAD $35Pub Date: 10/2/2003 Out of print | Not available
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FORMAT: Hardcover, 8.5 x 11 in. / 128 pgs / 100 color. LIST PRICE: U.S. $34.00 LIST PRICE: CANADA $40 ISBN: 9788434311367 PUBLISHER: Ediciones Polígrafa AVAILABLE: 7/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA Japan | D.A.P. CATALOG: FALL 2007 Page 88 | PRESS INQUIRIES
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| Velázquez Published by Ediciones Polígrafa. Text by Santiago Alcolea. Like his Dutch contemporary Vermeer, Diego Velázquez (1599-1660) had little reputation outside of his native land until the nineteenth century, when the Spanish royal painting collections became state property and were installed in the Prado Museum in Madrid. The year was in 1819, and several private and official collections in London and Paris also benefited. Unlike Vermeer, however, Velázquez had a fairly large oeuvre waiting to be rediscovered--and rediscovered it was, with great rapidity and enthusiasm. Goya and Manet are almost inconceivable without the precedent of Velázquez's portraiture, and in fact Manet even called the Spaniard "the painter of painters." His impact on French Impressionism was colossal. And two of the twentieth century's most famous artists painted direct homages: Picasso made a version of "Las Meninas" in 1957; and Francis Bacon's "screaming popes" are based on Velázquez's 1650 portrait of Pope Innocent X. From Goya until today, Velázquez's work has been recognized not only as the essential forerunner to Modern painting, but also as the greatest exponent of seventeenth-century Spanish art.
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