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| | BOOK FORMAT
Paperback, 12.25 x 15 .75 in. / 80 pgs / 77 color. PUBLISHING STATUS
Pub Date 3/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 150 PRODUCT DETAILS
ISBN 9783905770155 TRADE
List Price: $29.00 CAD $35.00 AVAILABILITY
Not available | TERRITORY
WORLD Excl FR DE AU CH | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Urs Fischer: Paris 1919Edited by Urs Fischer. Text by Rein Wolfs.
One of the most striking and remarked-upon pieces at the 2006 Day For Night Whitney Biennial was Urs Fisher's, and the curators gave it pride of place: on entry, the first walls that viewers encountered had been torn open. Those new gallery entrances led through to an outsized candelabra, composed of two detailed aluminum tree-branches suspended parallel to the floor, each with a lit candle at one end, spinning in slow motion and creating interlocking circles of wax drippings on the floor. Those who remember it will not be surprised to find, in this survey of recent works, that Fischer has long been disorienting viewers with materials such as mirror-lined walls and gigantic plush bears.
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FORMAT: Paperback, 12.25 x 15 .75 in. / 80 pgs / 77 color.
LIST PRICE: U.S. $29.00
LIST PRICE: CANADA $35
ISBN: 9783905770155
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD Excl FR DE AU CH | D.A.P. CATALOG: SPRING 2007 Page 150 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Urs Fischer: Paris 1919 Published by JRP|Ringier.
Edited by Urs Fischer. Text by Rein Wolfs. One of the most striking and remarked-upon pieces at the 2006 Day For Night Whitney Biennial was Urs Fisher's, and the curators gave it pride of place: on entry, the first walls that viewers encountered had been torn open. Those new gallery entrances led through to an outsized candelabra, composed of two detailed aluminum tree-branches suspended parallel to the floor, each with a lit candle at one end, spinning in slow motion and creating interlocking circles of wax drippings on the floor. Those who remember it will not be surprised to find, in this survey of recent works, that Fischer has long been disorienting viewers with materials such as mirror-lined walls and gigantic plush bears.
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