| | BOOK FORMAT
Paperback, 4.25 x 6 in. / 64 pgs / 11 color. PUBLISHING STATUS
Pub Date 7/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 130 PRODUCT DETAILS
ISBN 9783865602237 TRADE
List Price: $15.00 CAD $17.50 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ AFR | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Karen Kilimnik's Fancy Pictures:Period EyeEdited by Scott Rothkopf, Meredith Martin.
Art history becomes Karen Kilimnik. As much as paint on canvas, it is the raw material of her pictures--though she wears it lightly, and with great élan. The title of this mini exhibition catalogue, published on the occasion of Kilimnik's show at London's Serpentine Gallery, derives from a popular sub-genre populated by "link boys" and "cottage girls." For when looking at Kilimnik's work since the late 1980s, and especially that of the last 10 years, one cannot help but be struck by her engagement with the history of painting. In this lightly illustrated volume, Meredith Martin, a scholar of eighteenth- and nineteenth-century art, speaks with Scott Rothkopf on Kilimnik's relationship to art history: if history is her raw material, then Kilimnik points as much to painting's future as its past, as much to our own world as to a bygone day.
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| |  | Edition Patrick FreyISBN: 9783907236581
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|  | Edition Patrick FreyISBN: 9783905929584
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FORMAT: Paperback, 4.25 x 6 in. / 64 pgs / 11 color.
LIST PRICE: U.S. $15.00
LIST PRICE: CANADA $17.5
ISBN: 9783865602237
PUBLISHER: Walther König, Köln
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: FALL 2007 Page 130 | PRESS INQUIRIES
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| Karen Kilimnik's Fancy Pictures:
Period Eye Published by Walther König, Köln.
Edited by Scott Rothkopf, Meredith Martin. Art history becomes Karen Kilimnik. As much as paint on canvas, it is the raw material of her pictures--though she wears it lightly, and with great élan. The title of this mini exhibition catalogue, published on the occasion of Kilimnik's show at London's Serpentine Gallery, derives from a popular sub-genre populated by "link boys" and "cottage girls." For when looking at Kilimnik's work since the late 1980s, and especially that of the last 10 years, one cannot help but be struck by her engagement with the history of painting. In this lightly illustrated volume, Meredith Martin, a scholar of eighteenth- and nineteenth-century art, speaks with Scott Rothkopf on Kilimnik's relationship to art history: if history is her raw material, then Kilimnik points as much to painting's future as its past, as much to our own world as to a bygone day.
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