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| | BOOK FORMAT Hardcover, 15.25 x 11.75 in. / 336 pgs / 582 color. PUBLISHING STATUS Pub Date 11/15/2006 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2006 p. 26 PRODUCT DETAILS ISBN 9783865212771 TRADE List Price: $125.00 CAD $170.00 AVAILABILITY In stock | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Robert Polidori: After the FloodIntroduction by Jeff L. Rosenheim.
Haunting photographs documenting the destruction of Hurricane KatrinaIn late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Îthe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
PRAISE AND REVIEWSBusiness Insider Sarah Jacobs Photographer Robert Polidori... immediately understood the impact the Category 3 storm had on the city he had once called home... While he didn't get to meet many of the home owners, he did gain an understanding of them through their belongings. |
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| | SteidlISBN: 9783865212771 USD $125.00 | CAD $170Pub Date: 11/15/2006 Active | In stock
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FORMAT: Hardcover, 15.25 x 11.75 in. / 336 pgs / 582 color. LIST PRICE: U.S. $125.00 LIST PRICE: CANADA $170 ISBN: 9783865212771 PUBLISHER: Steidl AVAILABLE: 11/15/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2006 Page 26 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Robert Polidori: After the Flood Published by Steidl. Introduction by Jeff L. Rosenheim. Haunting photographs documenting the destruction of Hurricane Katrina In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Îthe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
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