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| | BOOK FORMAT
Paperback, 6.25 x 8.25 in. / 128 pgs / 16 color. PUBLISHING STATUS
Pub Date 12/2/1996
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Catalog: FALL 1996 PRODUCT DETAILS
ISBN 9782906571570 TRADE
List Price: $27.50 CAD $37.50 AVAILABILITY
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| | | OpalkaBy Jacques Roubaud. Contributions by Bernard Noel, Denys Riout.
This monograph investigates Opalka's relationship with numbers, time and infinity, including an original long-term interview of the artist which ran on for more than twenty years. In 1965 Roman Opalka started to represent time (his own and the world's) by painting numbers on canvas. Beginning with the number 1 and continuing through 2, 3, 4, 5, and so on, he had reached the almost unimaginable figure of 5 million before his death in 2011. Opalka had chosen to come directly to grips with time and death, for a lifetime. Yet his program, though irreducibly singular, is not ineffable. This volume explores the ethical and aesthetical dimensions of Opalka's project and presents him as one of the major artists of the late twentieth century.
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| | | |  | Dominique LévyISBN: 9780986060618
USD $45.00 | CAD $60 UK £ 40Pub Date: 7/26/2016
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|  | Dis VoirISBN: 9782906571570
USD $27.50 | CAD $37.5Pub Date: 12/2/1996
Active | In stock
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FORMAT: Paperback, 6.25 x 8.25 in. / 128 pgs / 16 color.
LIST PRICE: U.S. $27.50
LIST PRICE: CANADA $37.5
ISBN: 9782906571570
PUBLISHER: Dis Voir
AVAILABLE: 12/2/1996
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 1996 | PRESS INQUIRIES
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| Opalka Published by Dis Voir.
By Jacques Roubaud. Contributions by Bernard Noel, Denys Riout. This monograph investigates Opalka's relationship with numbers, time and infinity, including an original long-term interview of the artist which ran on for more than twenty years. In 1965 Roman Opalka started to represent time (his own and the world's) by painting numbers on canvas. Beginning with the number 1 and continuing through 2, 3, 4, 5, and so on, he had reached the almost unimaginable figure of 5 million before his death in 2011. Opalka had chosen to come directly to grips with time and death, for a lifetime. Yet his program, though irreducibly singular, is not ineffable. This volume explores the ethical and aesthetical dimensions of Opalka's project and presents him as one of the major artists of the late twentieth century.
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