| | PUBLISHER
Foundation 20/21BOOK FORMAT
Hardcover, 9 x 9 in. / 56 pgs / 33 color. PUBLISHING STATUS
Pub Date 2/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 155 PRODUCT DETAILS
ISBN 9781891027239 SDNR30
List Price: $45.00 CAD $55.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | FOUNDATION 20/21Paul McCarthy: Between Beauty and the BeastSculptures, Drawings and PhotographsEdited by Tim Nye. Text by Sam Lipsyte.
Most artists would be sorry to hear that their work looked like a steaming plate of poop, but not Paul McCarthy. Because that's exactly what he's drawn. In a woodbound portfolio scribbled and annotated ("finger," "smeel my assh hul hole") in what looks like the handwriting of a teenage boy, everything that isn't scatological is phallic or violent. Photographs, including documentation of his sculptures, raise the production values and (sometimes) lower the NC-17 rating. And his commentaries on the work clarify his intentions: if Disney-esque model dwarves are "emissaries from multinational conglomerates come to colonize our dreams," McCarthy's mission must be, in part, recovering those dreams and restoring the taboo to our minds. Mission accomplished. McCarthy, born in Salt Lake City in 1945 and a longtime resident of Los Angeles, has had recent major solo shows at Stockholm's Moderna Museet, New York's New Museum and the Tate Modern in London.
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FORMAT: Hardcover, 9 x 9 in. / 56 pgs / 33 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9781891027239
PUBLISHER: Foundation 20/21
AVAILABLE: 2/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2007 Page 155 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Paul McCarthy: Between Beauty and the Beast
Sculptures, Drawings and Photographs Published by Foundation 20/21.
Edited by Tim Nye. Text by Sam Lipsyte. Most artists would be sorry to hear that their work looked like a steaming plate of poop, but not Paul McCarthy. Because that's exactly what he's drawn. In a woodbound portfolio scribbled and annotated ("finger," "smeel my assh hul hole") in what looks like the handwriting of a teenage boy, everything that isn't scatological is phallic or violent. Photographs, including documentation of his sculptures, raise the production values and (sometimes) lower the NC-17 rating. And his commentaries on the work clarify his intentions: if Disney-esque model dwarves are "emissaries from multinational conglomerates come to colonize our dreams," McCarthy's mission must be, in part, recovering those dreams and restoring the taboo to our minds. Mission accomplished. McCarthy, born in Salt Lake City in 1945 and a longtime resident of Los Angeles, has had recent major solo shows at Stockholm's Moderna Museet, New York's New Museum and the Tate Modern in London.
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